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Underrated Horror: ‘The Awakening’

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The Awakening ghost photoThe Awakening begins in 1920s London, where accomplished author and paranormal investigator Florence Cathcart spends much of her time outing charlatans and debunking spooky stories. She’s an educated lady with no time for anyone’s malarkey, and she has received plenty of flak for her no-nonsense approach to her profession. She carries on in the face of such vitriol nonetheless, and when she is referred to as a ghost hunter, she replies, “You can’t hunt what doesn’t exist.” Just underneath the surface, however, is a little hope that her assertions are not true.

Soon after she reveals an over-the-top séance as a hoax, handsome war veteran Robert Mallory arrives at her doorstep and requests her presence at a boarding school purported to be haunted by the spirit of a murdered boy. A student has just died shortly after seeing the spirit, and a real danger exists. It is the urgency of the situation that compels Florence into reluctantly accepting the invitation.

The Awakening FlorenceWhen she arrives, she finds the enormous school, which was previously an opulent private residence, teeming with mischievous boys who she believes are likely the cause of the apparent sightings. She meets Maud, the older caretaker of the premises, and Tom, a student who takes a liking to Florence and spends much of his time under Maud’s supervision. Robert, Maud, and Tom help Florence understand the school’s layout, history, and current operation. She also observes a class and hears from a frightened student who explains that he saw the ghost boy, who had an expression of pain on his face, and urged Florence to help them, to “kill it.”

Florence’s investigation begins easily enough; she sets up old fashioned traps and gizmos and other methods of catching any specters—or anyone acting like one. She initially suspects the boys of sneaking around in the middle of the night, but soon Florence begins to experience events with less obvious explanations. In one of the most chilling scenes, she catches glimpses of a boy running up the stairs. She follows and is led to a grimy, abandoned room—abandoned except for an impressive, detailed doll house. When she peers inside, she sees just how real ghosts are after all. The Awakening doll houseAs supernatural activity increases over the course of her investigation, memories of Florence’s own troubled past begin to bubble up. She is being haunted inside and out, and she feels the world around her unraveling, her sense of reality spiraling away. Her situation becomes desperate as she tries to uncover the secrets of the menacing halls and of her own consciousness.

The performances by the leads are right on target. As Florence, Rebecca Hall is smart and savvy. She is confident and borderline cocky early on, but as the film progresses and Florence’s cracks begin to show, Hall keeps you right there with her, hoping for her, fearing for her. As Robert, Dominic West plays the perfect tones of melancholy. He’s a man haunted by his wartime past, and his internal pain hangs heavily across his face in every scene. Imelda Staunton and Isaac Hempstead Wright round it out as Maud and Tom, and their performances are filled with compassion and suspicion—you’re never quite sure of their motivations in any given scene.

The Awakening is an engaging slow burn of a film. The time period is a refreshing setting for a ghost story. It’s a pleasure seeing Florence set up her old-timey gadgets, a welcome change from watching someone strap video cameras all over the place or hold up their smartphone to try to catch ghosts. It’s a different era without our modern conveniences, and it’s an era where everyone is inclined to believe in a spiritual world. In addition to its excellent setting, the film splendidly examines what haunts people from the inside and the outside. The external haunting triggers something buried deeply inside of Florence, and she must fight to keep her senses and come to terms with it all. The Awakening is a haunted house story with true soul.

The Awakening is currently streaming on Netflix and Amazon, and is available to purchase on DVD and Blu-ray from Amazon here.  Watch the trailer below. [youtube id=”iB8UAuGBJGM” align=”center” mode=”normal” autoplay=”no”]

 

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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