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10 of the Best Mothers in Horror
Oh, mother. The woman who held us in her womb for nine long months. The woman who fed us and rocked us when we cried. The woman who…locked us in a closet for the supposed sin of sexual intercourse? Well, no, unless you’re poor Carrie White. Horror films and TV shows have given us a look at the dark side of motherhood over the years. Here are ten notable horror mothers—good, bad, and really ugly.
Margaret White – Carrie
They’re all going to laugh at you if you don’t think Piper Laurie’s Bible-thumping, holier-than-thou mother isn’t one of the most frightening parents in horror history. Abusing her daughter Carrie while under the impression that her very existence is coated in wretched sin, Margaret White forces her to recite selective passages from the Bible, locks her in the closet, and endlessly torments her until she finally fights back with her telekinetic powers.
Pamela Voorhees – Friday the 13th
Even the most casual of horror fans know that Jason is not the killer in the first entry of the legendary splatter series that painted the 80s red. The real slasher behind the brutal slayings was Jason’s grievous, vengeful mother, furious about the oversexed teens who neglected her son as he drowned in the lake. Betsy Palmer’s wild-eyed ferociousness as she dispatches this year’s batch of unlucky camp counselors is just as frightening as any hockey mask.
Amanda Krueger – A Nightmare on Elm Street franchise
Yes, the other big horror icon of the 80s also had a mother, although the relationship between Freddy Krueger and his mother, Amanda, did not include any of the twisted tenderness of the Voorhees family. During her time as a nun, she is accidentally locked inside Westin Hills Asylum with dozens of inmates, where she is raped, resulting in her pregnancy. She gives Freddy up for adoption and follows him from afar. To her credit, she tries to stop him, but trying to defeat a boogeyman that haunts your dreams is a nearly impossible task, even for a woman with divine connections.
Rachel Keller – The Ring
“Seven days.” That’s how long Naomi Watts’ investigative journalist has to dig up the mystery at the heart of a creepy videotape that promises a gruesome death to the viewer in one week’s time. Her motherly instincts kick into high gear when she catches her son viewing the dangerous tape, dooming himself to the same impending fate. She also wants to fight for the girl she discovers is responsible for the tape, Samara, thinking that she must solve the mystery of her murder and set her spirit free. Unfortunately, her motherly instincts about Samara prove to be horrifyingly inaccurate.
Amelia – The Babadook
Imagine the horror of losing your husband in a car accident while on the way to give birth to your son. Now imagine that your son turned out to be a lot tougher to handle than the average child, and the two of you find yourselves being haunted by a character from a creepy book that mysteriously arrives in your home. This is the struggle Amelia faces as she copes with life as a single mother to a troubled boy. Amelia fights to reclaim her home (and mind) from the clutches of the Babadook, and it’s a battle that shakes her to the depths of her soul.
Mother Firefly – House of 1000 Corpses & The Devil’s Rejects
The matriarch of a brutal, murderous clan of wackos, Mother Firefly is on another level of crazy. She flirts with her victims, plays with them, like a predator taunting its prey. She’d rather blow her own brains out than let the police take her, and her revelry and delight while she peruses photos of her family’s victims is chilling.
Mum – Dead Alive
What’s worse than an overbearing, murderous mother? An overbearing, murderous, zombie monster mother, of course! Lionel has been at his mother’s side all his life, oblivious to the lies and deceit she has fed him since he was a boy. Her actions result in a gory zombie outbreak, climaxing in a final battle between Lionel and the grotesque mother zombie beast, where she attempts to welcome him back to her womb in one of horror’s finest moments of goop.
Beverly Sutphin – Serial Mom
Have you wronged Beverly Sutphin’s family in any way? Forgotten to rewind your videotapes? Worn white after Labor Day? These and other trivial abominations will land you on the hitlist of Kathleen Turner’s demented June Cleaver in this outrageous horror-comedy. She’ll stop at nothing to ensure the safety and happiness of her family, even if it means bludgeoning an old lady to death with a leg of lamb while singing along to Annie.
Rosemary Woodhouse – Rosemary’s Baby
Watch out for those neighbors. Living in a questionable apartment building where questionable events occur and questionable people give questionable explanations for those events, Rosemary and her husband become pawns in the plans of a Satanic cult. Through persuasive manipulation (and drugging), Rosemary has what she believes to be a dream of being raped by a demonic being. Sadly for her, the dream was all too real, and after a bizarre pregnancy, she gives birth to nothing less than the spawn of Satan. Still, she is a mother, after all, spawn of Satan or no spawn of Satan, and soon enough she is rocking her baby to sleep.
Norma Bates – Psycho & Bates Motel
Originally portrayed in 1960 as a voice in Norman Bates’ head, manifested by Norman’s psychotic cross dressing episodes, and horrifyingly revealed as a skeletal corpse stashed away in the cellar, Mrs. Bates has found new life in the TV series Bates Motel. Played by Vera Farmiga, this Norma Bates is a more sympathetic figure, having spent much of her life getting a raw deal at every turn. Despite this new angle, however, her relationship with her mentally unstable son truly puts the mother in smother, and teases of incestuous intentions within their relationship add a fresh layer of ick.
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Movies
‘Evil Dead’ Film Franchise Getting TWO New Installments
It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.
We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.
“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”
That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”
Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:
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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening
Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.
Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.
Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.
Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.
Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.
The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.
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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date
Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.
Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.
These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:
According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”
Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.
Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.
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