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Will Corey Feldman Appear in Death House as Tommy Jarvis?

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Horror fans everywhere are counting the days until the release of Entertainment Factory’s Death House, but a recent interview with the highly anticipated film’s writer and director Harrison Smith touched on a teaser that got this writer’s wheels spinning.

Before we go any further, it should be stressed that none of what follows was stated in any way by Mr. Smith. Rather it is pure conjecture based on what the filmmaker hinted at in the interview coupled with an open letter that Smith wrote to New Line Cinema in the latter part of 2015. Said letter outlined the fact that Smith had attended a meeting where he would have been asked to write a first script if the Friday the 13th film every came to be but the rights were so “parceled” and “convoluted” between New Line and Paramount, it was dead in the water.

Smith also pointed out the ways that reuniting Jason Voorhees and Tommy Jarvis would be a “moneymaker” because it would be tantamount to a “spinoff without the stigma of a remake” and not “about hunting Jason,” but rather “exploring Tommy and his world.”

With that said, let’s start delving, shall we?

In an interview with Horror Geek Life the day after Thanksgiving, Smith was asked whether Death House held a “surprise or two up (its) sleeve” with regard to film appearances that hadn’t been announced. Fans already know about Kane Hodder and Tony Todd and Dee Wallace, but for a film featuring a veritable who’s who of the genre, surely there might be a cast member or two whom the audience would not be expecting but would get the blood flowing, so to speak.

Smith’s response was intriguing to say the least.

You are on to something very solid there, yes. There are so many surprises in this in that way that you’re talking about and then, in addition, if you watch the credits at the end, there is a mid-credit sequence, not a post-credit, a mid-credit sequence that, all I can tell you is the cameo of the performer, since you’re a Friday the 13th fan and what he brings into the scene, you will flip because you’re going to know exactly what it is.

Note that Smith said “he.”

Now, Hodder is Death House’s star, and seeing as the definitive Jason is already playing a separate character, it seems too obvious (and cheesy) that Hodder would simply stumble upon a hock. Walt Gorney passed many years ago, and for as glorious as it would be for Ted White to make an appearance of any kind, he’s probably a bit too old old to have anything to do with the masked maniac at this point.

However, when one takes Smith’s letter to New Line into consideration, things begin to make sense.

Smith stressed that continuous rehashing has damaged the Friday the 13th franchise, but also that beyond Jason and Pamela Voorhees, Tommy Jarvis was the only memorable character of the series, and specifically pointed to Corey Feldman’s original performance from The Final Chapter.

feldmanTaken a step further, Smith stated that Jarvis provided a “formidable nemesis” with a dark side who would have been haunted by his experience in 1984 and not convinced that Jason was truly eradicated. Smith referred to the idea as a “spin-off” that could and should willfully ignore the films and events post-Final Chapter ala Halloween: H20 and breathe new life into the saga while sparing fans yet another facsimile.

Friday fans would tend to agree.

Once again, Hodder is the star of Smith’s Death House, knows Feldman (who has been pitching the idea of his return as Jarvis for years), and Hodder would appear to have already been down with Smith’s vision.

In an “HBC B-Movie” interview with Hodder in 2013, this writer touched on the idea of Hodder’s return as the Camp Crystal Lake marauder in a film where he would be reunited with Feldman to pick up the Jarvis story line, to which Hodder replied:

I know Corey from doing appearances together and as a horror fan, I think it would be cool as hell to have a Friday the 13th movie, bring me back and Corey Feldman back. Now, how the story is written, it has to be pretty creative and everything but just stepping out of the fact that I played Jason, I think it would be cool as hell to see me come back and Corey come back. 

To Smith’s letter and Hodder’s existing belief in the concept we now add the revelation that Death House will boast of a mid-credits sequence with a cameo sure to make Friday fans flip.

Once again, this has nothing to do with anything Harrison Smith said, it is very much a theory, but this writer is leaning toward Death House’s mid-credits surprise being Corey Feldman reprising his role as Tommy Jarvis.

Whether it’s Feldman at the facility or simply a car making its way into the country where Feldman emerges to reveal of shot of a camp and / or cabin, it would indeed drive Friday fans wild. Of course, licensing and copyright always enter the equation, but there are plenty of ways to portray a scenario without getting into specifics while the audience completely comprehends what the film is attempting to communicate.

What’s more, such a mid-credit sequence would take Smith’s open letter to another level by providing tangible evidence that Smith’s perception with regard to the Jason / Jarvis story line has legs. Friday fans would flip, the internet buzz would be insane and the clamoring to bring such a concept to fruition could potentially (on a smaller scale) rival the demand for Machete following its faux trailer from Grindhouse.

One last time, none of the preceding came from Harrison Smith, it is simply the rambling theory of this writer. However, the more one ponders, the more cold, Crystal Lake water it seems to hold.

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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