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Vinyl Review: Martin OST

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In 1977, George A. Romero released Martin, a modern vampire story. The film follows a young man, who is believed to be an 84 year old vampire, as he goes to live with his cousin in a small town in Pennsylvania. The film plays with the idea and mythology of vampirism wonderfully, portraying Martin as both evil and innocent throughout the film. We see him kill, we see he recount his evil doings, and yet the audience is always left questioning whether or not he is truly evil. What drives this point across in the most spectacular way is Donald Rubinstein’s score. A beautiful mix of classical inspired pieces mixed with jazz and haunting vocals, the soundtrack for Martin is a gorgeous example of film scoring. Now, thanks to the fine folks over at Ship to Shore PhonoCo, A Light In the Attic, and One Way Static we can experience the score in one of the best ways possible.

Martin Artwork

Official artwork for the Ship to Shore PhonoCo. Martin vinyl.

 

Right off the bat, the artwork captures the look and feel of the film. Gothic, modern, and very playful with the theme of Martin being a fake vampire. The contrast between the cheap fake vampire teeth and the bloody razor are a simple and elegant way of portraying the film, and its score, playful nature with its very serious content. The soundtrack is printed on a thick 180 gram vinyl and is taken from the original negative print of the score, ensuring great sound. The sleeve includes liner notes from both Donald Rubinstein and actor John Amplas. Rubinstein’s notes paint a picture of what he went through composing the score. He talks about writing the score, basing it mostly of the script alone, his influences, meeting George, where he was at at that point in his life and career, as well as talking about the stark contrasts in the score. It is always great getting more perspective from the composer years after the score has been made, and Rubinstein is a great storyteller and very insightful. Now its time to run some wax.

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The opening theme “The Calling”, sets the tone using a slow beat with gothic tones. This, with the operatic singing, help establishes the film with one foot in the past as a reminder of early vampire films like Nosferatu and Dracula. At the same time the piece is very hypnotic, like the voice is calling out to someone. I love this because it reminds me of Dracula quite a bit, how through out the novel his calls out to Jonathan and his fiance. It is a very hauntingly beautiful piece and the score does a great job of reprising this piece at key moments. But the soundtrack doesn’t just play haunting music, alot of the soundtrack is jazz.

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There are pieces from this soundtrack that make me forget I am listening to a soundtrack, “Back To Me” is one of them. The jazz pieces are a large reason why the film is considered hip and modern. It helps establish Martin and the viewers in the now and at times helps to add fuel to the chaos happening on the screen. When the jazz is mixed with the gothic pieces it helps to create an environment of chaos, innocence, but also of a man of two times. As John Amplas said in the liner notes: “It moves from gothic romance to operatic heights swirling into chaotic jazz filled with tension and soul. Its original and it motivates the story.”

One way to judge a soundtrack is if the piece works on its own, and Donald Rubinstein’s score for Martin not only drive the films major themes, but its stand on its own two feet. This is a beautiful soundtrack that has been given a fantastic and worthy release. I would highly recommend this not only for fans of horror soundtracks, but fans of music in general. MOJO Magazine named it as one of the “Top 100 Coolest Soundtracks Of All Time” and it is very true. There are multiple variants of this record being sold in addition to regular 180 gram black being sold by different companies and they are:

Ship To Shore PhonoCo is selling a black & white swirl called Transylvanian Flashback. Limited to 500

Light in the Attic (US) and One Way Static (UK) are selling a Marble “Blood” Red. Limited to 500.

All three are selling 180 gram black was well and those are limited to 1000.

TRACK LISTING

A1. The Calling / Main Title
A2. Train Attack
A3. Phased
A4. Tat Cuda’s House
A5. Martin At The Butcher Shop
A6. Antique Chase With Villagers
A7. Garlic Chase #6
A8. Martin Goes To The City
A9. Christina Leaves
A10. Halloween
A11. Modern Vamp

B1. Chant
B2. The Calling (Reprise)
B3. Braddock / Chase
B4. Back To Me
B5. Crawling Sequence
B6. Martin Martin Martin
B7. Marie – Interlude
B8. Evocation
B9. Fly By Night
B10. Exorcism / Classical Funk
B11. Stake, Well Done!

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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