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‘Slay’ is Wonderful, It’s Like if ‘From Dusk Till Dawn’ Met ‘Too Wong Foo’

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Slay Horror Movie

Before you dismiss Slay as a gimmick, we can tell you, it is. But it’s a damn good one. 

Four drag queens are mistakenly booked at a stereotypical biker bar in the desert where they have to combat bigots…and vampires. You read that right. Think, Too Wong Foo at the Titty Twister. Even if you don’t get those references, you will still have a good time.

Before you sashay away from this Tubi offering, here is why you shouldn’t. It’s surprisingly funny and manages to have a few scary moments along the way. It’s a midnight movie at its core and if those bookings were still a thing, Slay would probably have a successful run. 

The premise is simple, again, four drag queens played by Trinity the Tuck, Heidi N Closet, Crystal Methyd, and Cara Mell find themselves at a biker bar unaware that an alpha vampire is on the loose in the woods and has already bitten one of the townsfolk. The turned man makes his way to the old roadside saloon and begins turning the patrons into the undead right in the middle of the drag show. The queens, along with the local barflies, barricade themselves inside the bar and must defend themselves against the growing hoard outside.

“Slay”

The contrast between the denim and leather of the bikers, and the ball gowns and Swarovski crystals of the queens, is a sight gag I can appreciate. During the whole ordeal, none of the queens gets out of costume or sheds their drag personas except at the beginning. You forget they have other lives outside of their costumes.

All four of the leading ladies have had their time on Ru Paul’s Drag Race, But Slay is a lot more polished than a Drag Race acting challenge, and the leads elevate the camp when called for and tone it down when necessary. It is a well-balanced scale of comedy and horror.

Trinity the Tuck is primed with one-liners and double entendres which rat-a-tat from her mouth in gleeful succession. It’s not a cringy screenplay so every joke lands naturally with a required beat and professional timing.

There is one questionable joke made by a biker about who comes from Transylvania and it isn’t the highest brow but it doesn’t feel like punching down either. 

This might be the guiltiest pleasure of the year! It’s hilarious! 

Slay

Heidi N Closet is surprisingly well cast. It’s not that it’s surprising to see she can act, it’s just most people know her from Drag Race which doesn’t allow much range. Comically she’s on fire. In one scene she flips her hair behind her ear with a large baguette and then uses it as a weapon. The garlic, you see. It’s surprises like that that make this film so charming. 

The weaker actor here is Methyd who plays the dimwitted Bella Da Boys. Her creaky performance shaves a little off the rhythm but the other ladies take up her slack so it just becomes part of the chemistry.

Slay has some great special effects too. Despite using CGI blood, none of them take you out of the element. Some great work went into this movie from everyone involved.

The vampire rules are the same, stake through the heart, sunlight., etc. But what’s really neat is when the monsters are killed, they explode into a glitter-tinted dust cloud. 

It’s just as fun and silly as any Robert Rodriguez movie with probably a quarter of his budget. 

Director Jem Garrard keeps everything going at a rapid pace. She even throws in a dramatic twist which is played with as much seriousness as a soap opera, but it does pack a punch thanks to Trinity and Cara Melle. Oh, and they manage to squeeze in a message about hate during it all. Not a smooth transition but even the lumps in this film are made of buttercream.

Another twist, handled much more delicately is better thanks to veteran actor Neil Sandilands. I’m not going to spoil anything but let’s just say there are plenty of twists and, ahem, turns, which all add to the fun. 

Robyn Scott who plays barmaid Shiela is the standout comedian here. Her lines and gusto provide the most belly laughs. There should be a special award for her performance alone.

Slay is a delicious recipe with just the right amount of camp, gore, action, and originality. It’s the best horror comedy to come along in a while.

It’s no secret that independent films have to do a lot more for less. When they are this good it’s a reminder that big studios could be doing better.

With movies like Slay, every penny counts and just because the paychecks might be smaller it doesn’t mean the final product has to be. When the talent puts this much effort into a film, they deserve more, even if that recognition comes in the form of a review. Sometimes smaller movies like Slay have hearts too big for an IMAX screen.

And that’s the tea. 

You can stream Slay on Tubi right now.

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Movie Reviews

Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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