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OBSERVER: Pure Trippy Cyberpunk Horror

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Observer

If you say anything regarding cyberpunk, you have my attention. If you say something about Rutger Hauer in the same context as cyberpunk, you have my strict focus. I’m one of those kids that grew up with Philip K. Dick books on my shelf and a VHS collection that ran the gamut with tons of cyberpunk-centric films. From the more polished and widely praised BLADE RUNNER, to cult films like HARDWARE and FREEJACK. I was all about the cyberpunk aesthetic. So, when Bloober Team devs and Aspyr publishers released a game called OBSERVER, that is set in a cyberpunk world and stars Rutger Hauer, it quickly shot to one of my most anticipated games of the year and for great reason, you guys.

If you are like me, the Rutger Hauer and cyberpunk combo might be enough for you to immediately stop reading and go seek out this game. If combination of those things isn’t enough though, a look at the elements that go into this game damn well better.

In the not too distant future, humans have taken to upgrading their body with technological enhancements. At the height of that modification popularity, a digital plague called the necrophage spreads like wildfire. That plague sends humans into an intense war that leaves the Fifth Polish Republic as one of the last bastions of humanity. Still, most of the survivors have turned to drugs and virtual reality as a way of escape. You play as Daniel Lazarski, an Observer by trade. Lazarski’s certain set of skills includes hacking people’s minds with the assistance of a device called a Dream Eater. Observers are used to collect info during tough interrogations and can even grab info that you may have forgotten.

When a scrambled communique comes through from Lazarski’s estranged son asking for help. Lazarski rushes off to a dilapidated tenement to find out what kind of trouble his son was in. Upon arrival, he discovers a headless corpse moments before the tenement goes into lockdown. He is then tasked with finding his son and uncovering the reasons behind the tenement lockdown.

The aesthetics of this game are uniquely derived from a cyberpunk world. Neon’s litter a dark and polluted city. Everything is covered in sheen from the never-ending downpour of rain. The people that inhabit this world are isolationist, and have mostly lost their minds, making every encounter something that borders on the bizarre, the disturbing and even the hilarious. OBSERVER creates an immersive and claustrophobic world that rewards you with tonality and a creeping feeling of dread.

I’ve been telling everyone that this would be what would have happened if David Lynch had directed BLADE RUNNER. Dialogue is delivered in strange dreamlike cadence making everything feel slightly off. The game is heady and has roots dipped in horror. Using your Dream Eater to infiltrated someone’s mind takes you to the landscape of a very bad LSD trip, where someone’s psyche is revealed through different visions you venture through. As you traverse these mind fields, that subjects story is unraveled through your play through. You are able to find out who that person was and what lead them to the moment you find them in. Ultimately, Lazarski, uses the device to collect info but there are times he uses it to go further, each time he delves into someone’s mind, he comes out frazzled and disorientated, he has to self-administer drugs in order to keep from losing his mind or even death.

Visuals are represented extremely well. Without medication Lazarski’s vision becomes pixelated, as sound becomes distorted and muffled. The degradation of his sanity is something that messes with your head as a player. And that is just one of the many ways the game extends its trippy tendrils out to the player. Amazing care had to have been taken to create this world, the pixilation and distortion is straight out of some of our favorite cult cyberpunk films.

I was able to review OBSERVER on PS4 by a code that was provided. At times the game was unable to keep up with its own frame rate and choked a bit when I tried sprinting as opposed to walking. From what I last read the devs have ironed out some of that glitchiness in updates. Outside of that issue, the games mechanics are deeply embedded in simple puzzle solving and the investigation of different areas in order to gather clues. Lazarski is equipped with both Bio Vision and Electromagnetic Vision. These two scan abilities help to explore crime scenes more precisely. Once an area is scanned other areas of the tenement will open up as your objectives are updated to take your further down the rabbit hole.

Like I mentioned before, Rutger Hauer voices and lends likeness to Daniel Lazarski. At different moments in the game mirrors will remind you that you are indeed playing as Mr. BLIND FURY himself. Knowing and being reminded of that, constantly reinvigorates the cinematic feeling that this game is full of. The devs also wink at the audience a bit. Throughout there are moments that pay homage to BLADE RUNNER. Rather its pigeons flying about or a constant cascade of rain, you will feel yourself called back to his portrayal of his role as a replicant crying (or not crying) in the rain. Hauer, has strange vocal ques at times and comes off as a bit of a grump. I’m not sure if this was an issue they had with him during production but it definitely lends itself to his grizzled, grumpy character. You can get the sense that he would do one take and just announce that he was okay with just doing one. The happy accident of that possible scenario is that Hauer’s cadence fits the strangeness of the game.

You come to OBSERVER for its cinematic experience. Not so much for what it does better than other first-person games as far as gameplay goes. While gameplay does sail along and each dive into someone’s subconscious is exciting eye candy, there are moments, albeit not many, where things can feel like a chore. There is a “creature” that you have to hide from at certain points that took me out of the game experience momentarily, the interaction between said creature and Lazarski didn’t feel scary or organic. It was something I couldn’t wait to get through to further the story. Thankfully, OBSERVER knows what kind of game it is and moments like those are very scarce. It tells a satisfying and embodied story, that connects from its beginning to its cliffhanger ending. The strange side missions and characters assist the game in its singular take on traditional cyberpunk and, once you see the whole picture, you can see a neon lit, smog filled cyberkpunk game deserving of praises.

OBSERVER is out now on PC, Playstation 4 and Xbox One.

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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