Connect with us

News

Late To The Party – Nekromantik 1&2

Published

on

Nekromantik 1&2

Valentine’s Day, a day that most of us use to fully express how much we care about the one(s) we love. Some give gifts like cards, flowers, or jewelry and go on dates. The card aisles are covered in hearts and my local Dollar Tree has way too many balloons hanging from the ceiling. So to celebrate Valentine’s Day I figured I would finally get around to watching Jörg Buttgereit’s tales of romancing with corpses, Nekromantik 1&2. Spoilers and taboos are a plenty.

*NSFW WARNING! NSFW things will be in this piece*https://www.imdb.com/title/tt0093608/?ref_=tt_rec_tti

Some context on why Buttgereit made the film: it was to piss people off, especially the German censors. He set out to make an experimental romance film covering and showing taboos such as necrophilia, pornographic images, life/death with stock footage of a rabbit being skinned and people peeing. So going into this film expecting a horror film would be greatly misguided. 

I first tried watching the Nekromantik a few years ago when I borrowed a copy from my job. I watched a good twenty minutes, was bored and shut it off. I went into expecting a horror film and instead got people peeing. I didn’t understand what Buttgereit’s intentions with the film were. So now its Valentine’s Day, my turn to do a Late to the Party, and I couldn’t come up with any other titles to watch for the first time. So here I am, once again, struggling to get through this film but with a new mindset.

Nekromantik follows the story of a road clean up crew worker who brings back corpses for him and his girlfriend to fool around with. His girlfriend leaves him and takes the corpse with her, sending him into a depression that ultimately ends in suicide. The film is about an hour and fifteen minutes long and I have officially fallen asleep during it on three separate occasions.

The film is low budget which kind of adds to realism of some of its more graphic bits, but is ultimately pretty damn boring. For me the scenes went on for ages and it wasn’t until the last 15 minutes did the film truly capture my attention with it’s literal climax. All in all, the film has its audience and its not me. Would I watch this again? Probably not. Am I looking forward to watching the second one? Kind of, yeah.

https://www.imdb.com/title/tt0102522/?ref_=tt_rec_tt

Four years after the original Nekromantik the sequel, Nekromantik 2: The Return of the Loving Dead was released. This time into a few actual theaters which lead to it being banned by the German government. In the sequel, we find the “hero” from first film’s corpse being taken by a nurse. She develops a relationship with the corpse while also dating a man who works in porn. As her and the living man’s relationship blossoms, they both must cope with the skeletons in her closet, or should I say, corpse in her apartment.

he Loving Dead is in many ways a better made film. Better pacing, effects, lighting, acting, all around its evident that there was a bit more of a budget and experience in the making of this film. The blood/gore are better and plentiful. The blossoming love triangle is much more of an interesting story than the previous film’s couple breaking up. The random stock footage of an animal (this time a seal) is contextualized with the characters watching the footage, there is a musical number and the climax is just as messing as the first. Still, the film didn’t do much for me. Both films kind of come off as that kind trying to show you fucked up things he found online in middle school. Sure there is some shock, but you get tired of it pretty quickly.

Overall, both films did what they set out to do. Showcasing taboos in a “romantic” style, but outside of its shock value there is little substance to the films. The finales for both are interesting, but other than that I am honestly OK with being late to this party. It wasn’t really my scene. If watching a German experimental film about necrophilia sounds like a a good time to you, then you probably should check it out. If not then go watch You Got Mail. Meg Ryan is delightful in that.

Tune in next week as Shaun watches 30 Days of Night!

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

Published

on

You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

Published

on

It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Editorial

Remembering Roger Corman the Independent B-Movie Impresario

Published

on

Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading