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THE BEST HORROR FILMS OF 2016 – iHORROR – Paul’s Picks

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2016 was a strange year. I don’t think I’m alone in thinking that, either. This goes for the horror genre as well – after all, anything is bound to be strange after the monumental year that was 2015. There seems to be a trend happening with horror cinema; we are going in very artsy, almost introspective direction. However, I have to admit, I’m not the biggest fan. My picks for the top ten best horror movies of 2016 are sure to bring in some debate, but so be it. That’s the great thing about this genre; there’s so much to pick and choose from.

In making this list, I found that most of the films that were put on here were chosen not for artistic value, but storytelling, and the feeling they conveyed. You will not find The Eyes of My Mother anywhere near this list besides in this opening statement. This is a movie that I feel is very indicative of the type of film that I do not enjoy. I found that film to be very much “style over substance”, and it bored me nearly to tears.

On the other hand, I had to justify to myself why The Boy shouldn’t make it onto this list. In its simplest form, The Boy was a fun 90-minute form of horror escapism; while it wasn’t innovative or “high art” in any way, what it did succeed in was telling a good story that I could be ensnared by. I look for numerous things in horror movies, and I can find at least one in almost everything I watch; character development, emotion, story, subtext that I can relate to/understand, and general entertainment. Some movies exhilarate me. Some scare me. And some, believe it or not, bore me to tears – usually because I don’t feel that they include (or don’t include enough of) one of these five things.

Keep in mind that this is only one writer’s opinion and you are more than welcome to disagree. In fact, I would love to debate with you – what did you like this year? What didn’t you like? Let’s debate.

Here are my picks for the year’s ten best horror films.



BEST OF 2016

10. Ouija: Origin of Evil

I know what you’re thinking. “There must be a mistake!” No, you read that right. While the original Ouija is one of the worst I’ve ever seen, director Mike Flanagan somehow managed to make a highly enjoyable, very scary sequel. While I won’t even try and lie and say that the movie doesn’t rely on jump scares and silly cliches, Origin of Evil is simply a fun way to escape the real horrors of the current climate. This is much more than you could say about a lot of films.

9. The Witch

While I was originally unimpressed with Robert Egger’s debut, something drew me to the film long after my initial watch. Since then, I’ve watched it about four times, each time enjoying it a little more. There’s much more implied in the film than one may realize at first glance. Not only that, but the cinematography and set design is nothing short of astonishing. At first, I found it boring and hard to sit through – now I find it compelling. Perhaps there’s a little more black magic in the film than any of us realize.

8. Green Room

Man, what a movie. Seriously disturbing. A lot of horror this year has dealt with the monstrosity of the human race – and as they say, art often reflects our daily lives. Green Room featured Patrick Stewart’s most evil role yet, and honestly, I hope he never does it again. It made it hard for me to watch Star Trek: The Next Generation for a solid month or two. For me, that’s a long time! Respect must also be given to the late Anton Yelchin, may he rest in peace.

7. Holidays

An excellent horror anthology. While I thought last year’s Tales of Halloween missed the mark in more ways than one, Holidays seemed to take everything I thought wrong with the previously-mentioned film and do it better. It’s highly bizarre and deranged, with notable entries by Gary Shore and Anthony Scott Burns.

6. Ghostbusters

Many thought that the Ghostbusters reboot would be horrendous. I didn’t think it would be bad, but then again, I didn’t foresee it being one of the best horror releases of 2016, either. Ghostbusters, corny jokes included, made me smile the entire way through. Kristen Wiig absolutely slayed this role, and with cameos by all four original Ghostbusters (yes, all four), what is there not to love?

5. 10 Cloverfield Lane

You want to talk about tense? 10 Cloverfield Lane is tense. John Goodman – no words. He’s an absolute monster here. I don’t think I can ever watch Roseanne the same way again. The film is claustrophobic and mysterious and is sure to raise your blood pressure by at least twenty points.

4. Hush

Mile Flanagan makes this list of the best horror of the year for the second time with Hush, a highly unique take on the slasher genre. While having a movie in which the final girl is deaf may seem like a cheap gimmick, Hush managed to make it original and interesting. But, in reality, I don’t care about originality. I know that may seem like a ridiculous thing to say, but hear me out. Yes, Hush is original, but its originally can’t compare to just how entertaining it is. I am a fan of movies that make you feel, whether it’s happy, sad, scared or empowered. Hush will make you feel all of these things, and for that, it deserves a spot on the best horror movies of 2016 without a doubt. In other words, it kicks major ass.

3. I Am the Pretty Thing That Lives in the House

Netflix has been absolutely killing it this year. Pretty Thing came out of nowhere – it just appeared on the streaming service – with no news of it coming my way whatsoever. I had not even heard of it before I compulsively added it to my queue. What I found was a haunting ghost story; quiet, understated, and powerful. Beautiful and scary. I absolutely loved it.

2. Baskin

Baskin is the Turkish Hellraiser, except all pain and no pleasure. I mean this in the absolute best of ways. The film was just downright disturbing and terrifying. A group of men go into a building to find actual Hell. How could this situation end up being anything other than horrific? The colors and aesthetic of the film really give it a unique vibe that is highly unique and highly unsettling. Like many of these films, Baskin is currently available on Netflix.

1. The Conjuring 2

James Wan’s The Conjuring 2 is not only one of the best horror movies of 2016, but one of the best horror movies of the past couple of years. The second tale of Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren is full of equal parts heart and horror. While it’s not a perfect film, it comes pretty close. A lot of what horror is missing these days is the inclusion of the human condition. The characterization here is simply phenomenal; for all intents and purposes, the Warrens are like the true “Avengers” of horror. Whether or not the story this is based on is true, The Conjuring 2 is a heroic tale of the battle of good versus evil and the human condition.

While I could just end it there, I won’t. Aside from the story of the film being top-notch, the care and the attention to detail put forth in this film is monumental. The camera sweeps and glides through the wonderfully-crafted set pieces seamlessly, and each shot seems both intentional and important. The pacing is phenomenal as well, and in terms of technical aspects alone, no other film on this list can even touch it – not even The VVitch, which also has been highly (and fairly) praised for its art direction.

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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