Movies

Director Adam Green Relays a Chilling True Story About the Ski Lift in ‘Frozen’

Published

5 months ago

December 5, 2023

Just before director Adam Green announced the DVD release of his festival hit Victor Crowley back in 2018, he gave fans a behind-the-scenes tale about another one of his films; Frozen.

As we approach the 14th anniversary of that movie, we thought we would rewind a bit and re-share what he said about his experience on Frozen; his most successful film to date.

In Frozen a group of friends get stuck on a ski lift high above the ground in the middle of a snowstorm and try to figure out how to get down.

The film is not based on a true story, but there is an eerie coincidence as he tells it attached to the film’s location, and he may have had a premonition while riding the lift before cameras even started rolling.

“[We] finally came over these trees and there it was,” conveys Adam while scouting exteriors 50 feet above the ground. “There was the spot and instead of me saying ‘This is where we should shoot the movie,’ for some reason I said ‘This is where they die,’ and the chair just stopped- stopped! And I thought the representative of the mountain was like f***ing with us or something, but no it stopped.”

Adam says he excused the sudden halt to the wind or something else; it’s no rare occurrence that ski lifts stop without warning, but he says it was still really eerie and what was only a few minutes of hanging there in mid-air, felt like an hour.

Here’s the strange part, as he was shooting the movie he found out from lift operators that someone had taken their own life with a firearm in that exact same location. They even showed a member of the crew the alleged chair that had the bullet hole in it.

Thinking it was still just a rumor, or a local urban legend Adam did more investigating. It wasn’t until Sundance that Adam got confirmation the death was real.

“Somebody in the audience raised their hand, and…said the person’s name. It was a true story, someone did die there. After that point my editor and I started going through all the footage trying to see if there was another voice on the audio or can you see anything.” They didn’t.

However chilling that story is we’d still love to hear if there was ever a conversation with Disney about using them using the name Frozen for their animated hit which came out three years later.

We sadly assume Disney won’t be doing a princess musical about Victor Cowley anytime soon, so we know that copyright is safe.

Green talks about his ski lift premonition at 11:38 in the video below:

Trailer:

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Movies

Shelter in Place, New ‘A Quiet Place: Day One’ Trailer Drops

Published

2 hours ago

May 9, 2024

Timothy Rawles

The third installment of the A Quiet Place franchise is set to release only in theaters on June 28. Even though this one is minus John Krasinski and Emily Blunt, it still looks terrifyingly magnificent.

This entry is said to be a spin-off and not a sequel to the series, although it’s technically more a prequel. The wonderful Lupita Nyong’o takes center stage in this movie, along with Joseph Quinn as they navigate through New York City under siege by bloodthirsty aliens.

The official synopsis, as if we need one, is “Experience the day the world went quiet.” This, of course, refers to the quick-moving aliens who are blind but have an enhanced sense of hearing.

Under the direction of Michael Sarnoski (Pig) this apocalyptic suspense thriller will be released the same day as the first chapter in Kevin Costner’s three-part epic western Horizon: An American Saga.

Which one will you see first?

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Movies

New Windswept Action Trailer for ‘Twisters’ Will Blow You Away

Published

1 day ago

May 8, 2024

Timothy Rawles

The summer movie blockbuster game came in soft with The Fall Guy, but the new trailer for Twisters is bringing back the magic with an intense trailer full of action and suspense. Steven Spielberg’s production company, Amblin, is behind this newest disaster film just like its 1996 predecessor.

This time Daisy Edgar-Jones plays the female lead named Kate Cooper, “a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better. As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.”

Twisters cast includes Nope’s Brandon Perea, Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical) and Golden Globe winner Maura Tierney (Beautiful Boy).

Twisters is directed by Lee Isaac Chung and hits theaters on July 19.

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Lists

Unbelievably Cool ‘Scream’ Trailer But Re-Imagined As A 50s Horror Flick

Published

2 days ago

May 7, 2024

Timothy Rawles

Ever wonder what your favorite horror movies would look like if they had been made in the 50s? Thanks to We Hate Popcorn But Eat It Anyway and their use of modern technology now you can!

The YouTube channel reimagines modern movie trailers as mid-century pulp flicks using AI software.

What is really neat about these bite-sized offerings is that some of them, mostly the slashers go against what cinemas had to offer over 70 years ago. Horror movies back then involved atomic monsters, scary aliens, or some sort of physical science gone awry. This was the era of the B-movie where actresses would put their hands against their faces and let out over-dramatic screams reacting to their monstrous pursuer.

With the advent of new color systems such as DeLuxe and Technicolor, movies were vibrant and saturated in the 50s enhancing primary colors that electrified the action happening on screen, bringing a whole new dimension to films using a process called Panavision.

^{“Scream” reimagined as a 50s horror movie.}

Arguably, Alfred Hitchcock upended the creature feature trope by making his monster a human in Psycho (1960). He used black and white film to create shadows and contrast which added suspense and drama to every setting. The final reveal in the basement would probably not have been if he had used color.

Jump to the 80s and beyond, actresses were less histrionic, and the only emphasized primary color was blood red.

What is also unique about these trailers is the narration. The We Hate Popcorn But Eat It Anyway team has captured the monotone narration of 50s movie trailer voiceovers; those over-dramatic faux news anchor cadences that emphasized buzz words with a sense of urgency.

That mechanic died out long ago, but luckily, you can see what some of your favorite modern horror movies would look like when Eisenhower was in office, developing suburbs were replacing farmland and cars were made with steel and glass.

Here are some other noteworthy trailers brought to you by We Hate Popcorn But Eat It Anyway: