Connect with us

News

The Weirdest 90s Slashers And The End Of The ‘Camp Horror’ Era

Published

on

popcorn

Going away to summer camp was a major goal and the camp horror films of the 80s and 90s turned it into an awesome nightmare. Summer camps were an ideal setting for slasher horror films because they had all of the right ingredients: secluded locations, lots of quirky but relatable characters, and tons of gruesome potential.

It was the Friday the 13th series, with the masked madman Jason terrorizing the campers and counselors at Camp Crystal Lake, that brought the era to life. The first eight movies in the series were released in the 1980s, so by the 90s, the genre was firmly established. This was probably for the best, since in the next few films in the series, Jason left camp to go to New York City, outer space (the early 2000s were a weird time for horror fans) and the dream realm.

By the end of the 90s, the camp horror era had begun to die out. Fewer people were going to camp and there were new locations and menaces that were more relevant to the targeted audiences. Horror movies were now inspired by popular video games or set in a wider range of locations. We’re now even seeing some of those horror movies reimagined as online games in Ontario, to complete the circle.

The Blair Witch Project (1999) and the rise of J-Horror changed everything. The Blair Witch Project brought found footage to the forefront of the genre and made the unseen more frightening. Adaptations of Japanese horror classics brought new stories to audiences and reinvigorated the genre as a whole.

While the 90s may never be remembered as fondly as the 70s or 80s as a horror decade, they did produce some of the wildest and weirdest slasher movies on screen. Below are recommendations for where to start if you’re not quite ready for the Halloween season to be over.

Popcorn (1991)

Setting a slasher movie in a movie theater might be a bit too meta for some, but fans of Popcorn understand that it’s simply too good an opportunity to pass up. Popcorn is a love letter to the horror movies of earlier decades, while still having plenty of scares in its own right.

The plot of Popcorn follows a group of amateur filmmakers using an abandoned movie theater to host a horror movie marathon as a fundraiser. As the night gets going, the bodies start to pile up. The movie marathon plot allows Popcorn to also feature three movies-in-a-movie – these being direct homages to the sci-fi horror gems of the 1950s and 60s.

Candyman (1992)

Most slasher movies don’t have much to offer beyond scares, gore and campy humor. Candyman stands apart from the crowd as a genuinely important film that explores issues of class, race and gender, while still providing plenty of terrifying violence. Candyman also goes the extra step to create an entirely new urban legend while examining the process that leads to these legends in real life.

The film follows an aspiring academic who is interested in urban legends originating in Chicago’s notorious Cabrini-Green development. Her lack of belief in such legends leads to her summoning the Candyman and unleashing him on the city. The Candyman, with his hook for a hand and his mouth full of bees, is one of the 90s most frightening and unique antagonists.

The Stendhal Syndrome (1996)

Since the Italians practically invented the modern slasher movie, it would feel wrong not to include at least one from legendary gialla director Dario Argenta. By the 90s, Argenta’s career was flagging, however, The Stendhal Syndrome features some of the most brutal action of the decade.

The movie follows an up-and-coming detective (played by Argenta’s daughter, Asia) on the case of a serial rapist and murderer, while also suffering from Stendhal syndrome. Reality, art and nightmares blur together as she and the killer hunt one another. The use of bed springs as a makeshift weapon is one of the more visceral moments on screen.

Final thoughts

The camp era was a fun one, and thankfully, it isn’t completely dead. The ninth season of the hit anthology horror series, American Horror Story: 1984, was a celebration of the camp genre. The horror genre has diversified so much that we’re unlikely to ever see another true camp horror era, but there will always be one or two new summer camp horror movies since it’s such a great setting.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

Published

on

You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

Published

on

It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Editorial

Remembering Roger Corman the Independent B-Movie Impresario

Published

on

Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading