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‘John Wick’ Spinoff ‘Ballerina’ Set To Release June 2024

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An upcoming spin-off of the popular movie franchise John Wick will feature a ballerina-turned-assassin as the main character. The theatrical release date for Ballerina has been set for June 7th, 2024.

Ana de Armas, known for her role in No Time to Die, will play the lead role in Ballerina. The movie will also feature appearances by Keanu Reeves, Ian McShane, and Anjelica Huston.

Ian McShane is set to reprise his role as Winston, the owner of The Continental, in the upcoming John Wick spinoff Ballerina. However, the major announcement is that Keanu Reeves will also make an appearance as the iconic character John Wick, alongside Ana de Armas.

The movie’s co-writer Shay Hatten told Collider that Reeves’ role will be more than a cameo. “We got him to be in it for a good chunk,” he said.

“He’s a real character, and it’s not just kind of a one-piece cameo. He’s got… well, I shouldn’t say too much, but he’s in the movie in a way that I think people are going to be really excited by.”

Anjelica Huston will also make an appearance in the movie as The Director, a character who previously appeared in John Wick: Chapter 3 as the manager of the ballet where John was trained. It’s likely that De Armas’s character will also be trained there.

Deadline reported on December 13, 2022, that Norman Reedus, best known for his role in The Walking Dead, has joined the cast of Ballerina in an undisclosed role.

“En Puntas” by artist Javier Perez – ballerina Amélie Sgarra

When I learned about the John Wick spinoff featuring a ballerina-turned-assassin, my mind immediately went to the mesmerizing video installation “En Puntas” by artist Javier Perez.

In the video, ballerina Amélie Sgarra performs an incredible dance while standing en pointe on a grand piano, wearing a pair of pointe shoes customized with sharp kitchen knives that extend beyond the toe box.

Can’t you just imagine some epic fight scenes with a pair of ballerina slippers like that!

Len Wiseman, known for directing films such as Underworld and the TV series Swamp Thing, will be directing the first spinoff movie of the John Wick franchise. The script for the new movie was written by Shay Hatten, who also wrote for John Wick: Chapter 3.

While the spinoff is in the works, John Wick: Chapter 4 is still bringing in some big bucks, with a global box office revenue of $245 million and positive critical reviews.

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Shelter in Place, New ‘A Quiet Place: Day One’ Trailer Drops

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The third installment of the A Quiet Place franchise is set to release only in theaters on June 28. Even though this one is minus John Krasinski and Emily Blunt, it still looks terrifyingly magnificent.

This entry is said to be a spin-off and not a sequel to the series, although it’s technically more a prequel. The wonderful Lupita Nyong’o takes center stage in this movie, along with Joseph Quinn as they navigate through New York City under siege by bloodthirsty aliens.

The official synopsis, as if we need one, is “Experience the day the world went quiet.” This, of course, refers to the quick-moving aliens who are blind but have an enhanced sense of hearing.

Under the direction of Michael Sarnoski (Pig) this apocalyptic suspense thriller will be released the same day as the first chapter in Kevin Costner’s three-part epic western Horizon: An American Saga.

Which one will you see first?

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New Windswept Action Trailer for ‘Twisters’ Will Blow You Away

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The summer movie blockbuster game came in soft with The Fall Guy, but the new trailer for Twisters is bringing back the magic with an intense trailer full of action and suspense. Steven Spielberg’s production company, Amblin, is behind this newest disaster film just like its 1996 predecessor.

This time Daisy Edgar-Jones plays the female lead named Kate Cooper, “a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better. As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.”

Twisters cast includes Nope’s Brandon Perea, Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical) and Golden Globe winner Maura Tierney (Beautiful Boy).

Twisters is directed by Lee Isaac Chung and hits theaters on July 19.

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Unbelievably Cool ‘Scream’ Trailer But Re-Imagined As A 50s Horror Flick

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Ever wonder what your favorite horror movies would look like if they had been made in the 50s? Thanks to We Hate Popcorn But Eat It Anyway and their use of modern technology now you can!

The YouTube channel reimagines modern movie trailers as mid-century pulp flicks using AI software.

What is really neat about these bite-sized offerings is that some of them, mostly the slashers go against what cinemas had to offer over 70 years ago. Horror movies back then involved atomic monsters, scary aliens, or some sort of physical science gone awry. This was the era of the B-movie where actresses would put their hands against their faces and let out over-dramatic screams reacting to their monstrous pursuer.

With the advent of new color systems such as DeLuxe and Technicolor, movies were vibrant and saturated in the 50s enhancing primary colors that electrified the action happening on screen, bringing a whole new dimension to films using a process called Panavision.

“Scream” reimagined as a 50s horror movie.

Arguably, Alfred Hitchcock upended the creature feature trope by making his monster a human in Psycho (1960). He used black and white film to create shadows and contrast which added suspense and drama to every setting. The final reveal in the basement would probably not have been if he had used color.

Jump to the 80s and beyond, actresses were less histrionic, and the only emphasized primary color was blood red.

What is also unique about these trailers is the narration. The We Hate Popcorn But Eat It Anyway team has captured the monotone narration of 50s movie trailer voiceovers; those over-dramatic faux news anchor cadences that emphasized buzz words with a sense of urgency.

That mechanic died out long ago, but luckily, you can see what some of your favorite modern horror movies would look like when Eisenhower was in office, developing suburbs were replacing farmland and cars were made with steel and glass.

Here are some other noteworthy trailers brought to you by We Hate Popcorn But Eat It Anyway:

“Hellraiser” reimagined as a 50s horror movie.

“It” reimagined as a 50s horror movie.
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