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“20 Seconds to Live”: Interviewing Creators Ben Rock and Bob DeRosa

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Something special exists in the reaches of the ArieScope web series tab: a series called 20 Seconds to Live. As an 8-episode anthology counting down to the death of an unknown person in each episode, every story is short and sweet and often very funny.

I love short horror stories: all the scares with a small time commitment. Each episode is only a few minutes long and all have an amazing twist in that small period of time, as well as its own little mystery about who will die and in what way.

I had the pleasure of speaking with the show’s writer/co-creator Bob DeRosa and director/co-creator Ben Rock to talk about new episodes, filming and their influences.

20 Seconds to Live

“20 Seconds to Live” Logo

Thank you both for doing this interview with me. I am a big fan of 20 Seconds to Live. Ben, you’ve worked in horror before, but Bob, this looks to be your first foray into the genre. How did you come up with such a new and interesting idea for the stories?

BOB: Ben pitched me the title and overall concept, and I worked with him to develop it into a show. We both grew up loving horror anthologies and the appeal for us was immediate. Ben calls it a sandbox: we get to play in a different corner of the horror universe every time, all linked by the fun of trying to guess who’s going to die and how.

It truly makes it an experience with each episode. Ben, was it easier or harder to direct for a web series vs. a full-length movie?

BEN: A web series such as this is way easier to direct than a feature, because it’s so spread out. Every once in a while we’d shoot two episodes in a weekend, but most episodes were shot over the course of one day and those days could be very spread out. There’s an old saying: “Quick, cheap, good: pick any two.” We picked “cheap” and “good” so we knew we had to be patient.

How did you end up streaming your episodes on ArieScope?

BOB: We shot our first five episodes with our amazing producer Cat Pasciak, and the three of us were debating the best way to release them. Then I heard an episode of “The Movie Crypt” podcast and co-host/director Adam Green (the Hatchet movies, Holliston) was talking about looking for cool new content to host on his website. I knew he and Ben were friends, and Ben had been a guest on the podcast before, so I suggested Ben give Adam a call.

BEN: ArieScope has been an amazing host, and Adam is one of the good guys in the business. We’re lucky to call him a friend, and luckier still to partner with ArieScope to present the series.

20 Seconds to Live

From left to right: Bob DeRosa, Cat Pasciak, Evil Doll, Ben Rock

I bet! I am a big fan of Adam Green’s work, and he seems really genuine. It’s great how that all worked out. What other platforms can we find 20 Seconds to Live?

BEN: The most obvious one is on our Facebook page, where every episode streams. And then, very recently, we partnered with seeka.tv, a new web series streaming platform created by some seriously smart people who want to figure out how to make the web series thrive like never before. We hope that platform really takes off, not just for us but for all the amazing creators who’ve already signed on.

Congratulations on your new partnership! What is your favorite 20 Seconds to Live episode?

BEN: Each one was an adventure into a fun genre for us, but “Anniversary” really sticks with me mostly because of how it ups the stakes of its own wrongness over and over. It might be one of my favorite things I’ve ever directed in my life.

I’d also like to mention “Astaroth” – I’ve always wanted to see what would happen if poorly researched people tried to summon a demon.

BOB: Well, we have to say we love them all, but we really do! “Anniversary” was the second one we shot and I think perfectly solidified everything that makes a good 20 Seconds To Live episode: it plays with a known horror trope, has a fun reversal, spills some blood, and is just oh so wrong. Plus, it’s a love story! I also love “Evil Doll” because it really made me laugh on the page and the final product is every bit as funny as I hoped it would be.

“Astaroth” is definitely my favorite. For any Friday the 13th or Holliston fan, it features Derek Mears in the episode and he is hilarious. I hear you have another episode coming soon; can you tell us a little bit about that?

BEN: The most exciting thing about the new episode, “Medium,” is that we shot it two totally different ways – both conventionally and in VR. I’d never directed anything in VR before and it was (and still as, is we’re in post right now) a huge learning experience but it was a lot of fun. We hope people will enjoy watching the regular version and then dropping in and living inside the same story!

20 Seconds to Live

Graham Skipper and Angela Sauer in “Heartless”

I bet the VR version will be fun and terrifying. With VR always getting more realistic, it will be the full experience. For both of you, what is your favorite horror movie? Did it influence how you made 20 Seconds to Live?

BEN: There are so many, it’s hard to count. I always say my favorite horror film is John Carpenter’s The Thing, but there are still so many great horror films out there from Let the Right One In to The Witch to The Legend of Hell House

But to fixate on The Thing (as I often do, and reveled in doing so on Alien Raiders), the centerpiece of that movie is the guessing game – who’s an alien and who’s a human. We didn’t necessarily set out to do so at the beginning, but every episode of 20STL is a guessing game about who’s going to die and how. That quickly became the hardest part to get right and the most fun part to play with. We try to stay a step ahead of the audience and tell a satisfying (and hopefully funny) little horror story.

BOB: I love the original Halloween. Besides being just a stone-cold classic, it also mastered the “someone is secretly watching you” POV shot that I loved playing with in “Anniversary”.

20 Seconds to Live

Bob DeRosa and Ben Rock at the L.A. Film Festival

Will there be the ability to purchase a hard copy of the episodes?

BEN: We have always given every episode away online, but the idea of bundling together a bunch of them sounds great. We will talk amongst ourselves…

Well, if you release a hard copy, it’s definitely going in my collection. Are you doing any events for us to look forward to?

BOB: Yes! We’re launching an Indiegogo campaign in May to raise some funds to shoot our second season. We completely self-financed our first season and it’s time we tried to pay our talented crew and maybe spring for a location that’s not my backyard. We’ll also be releasing our newest episode “Medium” around the same time. Keep an eye on 20secondstolive.com for more info and you can follow us at @20STL on Twitter and 20STL on Instagram.

20 Seconds to Live

Evil Doll

A giant thanks to Bob DeRosa and Ben Rock for answering my many questions. I can’t wait to watch “Medium” and more future episodes and again, if you haven’t seen 20 Seconds to Live yet, Netflix bingeing can wait. It’s time you watch this series.

If you’d like to check out “The Movie Crypt” or similar podcasts, check out our favorites in horror/paranormal podcasting.

Featured image: Derek Mears and William McMichael incorrectly summoning a demon in “Astaroth”

(All photos courtesy of Bob DeRosa and Ben Rock)

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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