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TRAILERS: Blumhouse & Amazon Unite: 4 New Streaming Movies 2021

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"The Manor" Welcome to the Blumhouse

Say what you will about the Blumhouse brand, but they certainly produce a lot of content for horror fans. This year marks the second time they have teamed up with Amazon for Welcome to the Blumhouse; a series of films that are available for streaming to subscribers of Prime.

Below you will find this year’s roster with a synopsis for each film and its trailer. Let us know if any or all of these catch your interest and which one you’re most looking forward to seeing. Also, let us know what you think about Blumhouse and its content.

Maybe we are excited the most to see Barbara Hershey back in a haunted house movie!

Bingo Hell:

Directed by: Gigi Saul Guerrero

Written by: Shane McKenzie, Gigi Saul Guerrero, Perry Blackshear

Starring: Adriana Barraza, L. Scott Caldwell, Richard Brake and Joshua Caleb Johnson

Executive Produced by: Jason Blum, Lisa Bruce, Jeremy Gold, Marci Wiseman, Raynor Shimabukuro

When a sinister figure threatens the residents of a low-income community, a feisty senior citizen tries to stop him in Bingo Hell, a wickedly original horror movie with a fiendishly funny twist. After 60-something neighborhood activist Lupita (Adriana Barraza) discovers that her beloved local bingo hall has been taken over by a mysterious businessman named Mr. Big (Richard Brake), she rallies her elderly friends to fight back against the enigmatic entrepreneur. But when her longtime neighbors begin turning up dead under grisly circumstances, Lupita suddenly discovers that gentrification is the least of her problems. Something terrifying has made itself at home in the quiet barrio of Oak Springs, and with each new cry of “Bingo!” another victim falls prey to its diabolical presence. As the cash prizes increase and the body count steadily rises, Lupita must face the frightening realization that this game is truly winner-takes-all.

Black as Night: 

Directed by: Maritte Lee Go

Written by: Sherman Payne

Starring: Asjha Cooper, Fabrizio Guido, Mason Beauchamp, Abbie Gayle with Craig Tate and Keith David

Executive Produced by: Jason Blum, Jeremy Gold, Marci Wiseman, Lisa Bruce, Maggie Malina and Guy Stodel

A resourceful teenage girl leaves childhood behind when she battles a group of deadly vampires in Black as Night, an action-horror hybrid with a strong social conscience and a biting sense of humor. Fifteen years after Hurricane Katrina ravaged New Orleans, a new threat leaves its mark on the Big Easy in the form of puncture wounds on the throats of the city’s vulnerable displaced population. When her drug-addicted mom becomes the latest victim of the undead, 15-year old Shawna (Asjha Cooper) vows to even the score. Along with three trusted friends, Shawna hatches a bold plan to infiltrate the vampire’s mansion in the historic French Quarter, destroy their leader, and turn his fanged disciples back to their human form. But killing monsters is no easy task, and soon Shawna and her crew find themselves caught in a centuries-old conflict between warring vampire factions, each fighting to claim New Orleans as their permanent home

Madres:

Directed by: Ryan Zarazoga

Written by: Marcella Ochoa & Mario Miscione

Starring: Tenoch Huerta, Ariana Guerra, Evelyn Gonzalez, Kerry Cahill, and Elpidia Carrillo

Executive Produced by: Jason Blum, Jeremy Gold, Marci Wiseman, Lisa Bruce, Sanjay Sharma and Matthew Myers

Beto (Tenoch Huerta) and Diana (Ariana Guerra), a young Mexican-American couple expecting their first child, move to a small town in 1970’s California where Beto has been offered a job managing a farm. Isolated from the community and plagued by confusing nightmares, Diana explores the rundown company ranch where they reside, finding a grisly talisman and a box containing the belongings of the previous residents. Her discoveries will lead her to a truth much stranger and more terrifying than she could have possibly imagined.

The Manor: 

Written and Directed by: Axelle Carolyn

Starring: Barbara Hershey, Bruce Davison, Nicholas Alexander, Jill Larsen, Fran Bennett and Katie Amanda Keane

Executive Produced by: Jason Blum, Jeremy Gold, Marci Wiseman, Lisa Bruce, Sandy King and Richard J Bosner

A malevolent force preys upon the residents of a sleepy nursing home in The Manor, a gothic tale of terror with a modern twist. When a mild stroke diminishes her ability to care for herself, Judith Albright (Barbara Hershey) moves to Golden Sun Manor, an assisted living facility with a sterling reputation. But despite the best efforts of the staff, and a budding friendship with fellow senior Roland (Bruce Davison), strange occurrences and nightmarish visions convince Judith that a sinister presence is haunting the massive estate. As residents begin to die mysteriously, Judith’s frantic warnings are dismissed as fantasy. Even her devoted grandson Josh (Nicholas Alexander) thinks her fears are the result of dementia, not demons. With no one willing to believe her, Judith must either escape the confines of the manor, or fall victim to the evil that dwells within it.

Header courtesy of Blumhouse. 

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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