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11 Underrated Netflix Horror Movies Available Right Now

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So you’re flipping through Netflix for a great horror movie. Suddenly you realize it’s 30 minutes later and you still haven’t found something that looks interesting. We have you covered. The movies below didn’t get the love they deserved and maybe you were gaslit by a downvote on Rotten Tomatoes and didn’t realize it.

We have gone through the Netflix interface and put together a list of 11 movies that may not have caught your attention the first time, but definitely deserve your consideration in the long run. We have provided the trailer (and synopsis) for each which doesn’t mean it’s going to be a great movie, but maybe we’ve saved you a few minutes of getting hypnotized into the sunken place by that Netflix menu “clicking” sound.

Sweetheart (2019)

Here’s one that combines the isolation of Castaway with the suspense of Predator. This creature feature gets high marks for action, special effects, and acting. You’ll notice the final girl is actually the only girl so no tropes are needed.

By acclaimed director J.D. Dillard (Sleight), Kiersey Clemons (Dope) plays a mysterious woman who washes ashore on a mysterious beach. Trying to survive during the day, she discovers that she isn’t as alone as she thinks she is.

Eli (2019)

Maybe it’s unjust to compare this movie with The Shining. Still, there are similarities. A young boy starts seeing ghosts in his new home which also happens to be a giant mansion. The ghosts start communicating with him and his parents think it’s all a part of his illness. This may or may not be true, but you’ll want to find out.

As a last resort to cure their son’s auto-immune disorder, the Millers move into a sterile manor during his treatments. Eli is tormented by terrifying visions — deemed hallucinations — but something sinister may lurk within these walls.

Countdown (2019)

This is probably the most derivative suggestion on this list. The gimmick is simple: you download an app on your phone and it tells you the exact moment of your death. It’s an American attempt at Japanese horror. Although not as good as some of the material it borrowed from, Countdown is an ample tale that gives bubble gum horror a little more flavor.

In Countdown, when a young nurse (Elizabeth Lail) downloads an app that claims to predict exactly when a person is going to die, it tells her she only has three days to live. With time ticking away and death closing in, she must find a way to save her life before time runs out.

The Silence (2019)

Yeah, yeah, The Silence is reminiscent of A Quiet Place. But it’s not bad. Who doesn’t love Stanley Tucci? Cinematographer and director John R. Leonetti gives us a nailbiter. You may not agree with his treatment of the first Annabelle or The Butterfly Effect 2, but here, he is in top form and although the film is not perfect, it’s definitely a good time.

When the world is under attack from terrifying creatures who hunt their human prey by sound, 16-year old Ally Andrews (Kiernan Shipka), who lost her hearing at 13, and her family seek refuge in a remote haven. But they discover a sinister cult who are eager to exploit Ally’s heightened senses. Based on the acclaimed novel, The Silence is directed by John R. Leonetti (Annabelle) and stars Stanley Tucci, Kiernan Shipka, Miranda Otto, John Corbett, Kate Trotter and Kyle Breitkopf. Watch on April 10th, only on Netflix.

Hell Fest (2018)

There are better movies with this premise out there, but Hell Fest is still a thrill ride with plenty of gore. And we love that Tony Todd makes a cameo as The Barker. With Universal’s Halloween Horror Nights recently making a return, this movie is the perfect primer for eager fans who love a scary Halloween-haunt house. The ending isn’t that great, but don’t let that get in the way of this above-par movie.

On Halloween night, three young women and their respective boyfriends head to Hell Fest — a ghoulish traveling carnival that features a labyrinth of rides, games and mazes. They soon face a bloody night of terror when a masked serial killer turns the horror theme park into his own personal playground.

The Forest (2016)

A famous YouTuber got into trouble for filming a vlog in this forest known as the Aokigahara. This place is a notorious location where people take their own lives. It’s a scary concept and The Forest takes it there. Atmospheric and sometimes unpredictable this one isn’t getting an iHorror award, but it will creep out some, and distance others.

A young woman’s hunt for her missing sister leads to horror and madness in this terrifying supernatural thriller starring Natalie Dormer (Game of Thrones and The Hunger Games franchise). When her troubled twin sister mysteriously disappears, Sara Price (Dormer) discovers she vanished in Japan’s infamous Suicide Forest. Searching its eerie dark woods, Sara plunges into a tormented world where angry spirits lie in wait for those who ignore the warning: never stray from the path.

We Summon the Darkness (2019)

Over-the-top and visually striking, We Summon the Darkness is one of those Blumhouse-like productions. Some great guitar solos, and Johnny Knoxville as a televangelist is a nice touch. And Alexandra Daddario (we love that last name) is always a pleasure to watch.

Three best friends embark on a road trip to a heavy-metal show, where they bond with three aspiring musicians and head off to one of the girls’ country home for an after-party.

Little Evil (2017)

This might be the most intentionally funny movie on this list. Adam Scott is the perfect everyman to play the lead in this hilarious send-up of Satanic Panic. Thanks to his character naivete he’s often the punchline, but give it some time, he gets his licks in. And Bridget Everett is hilarious as frank friend.

Meet Gary. He just married Samantha, the woman of his dreams. There’s one problem, his stepson is the antichrist. Adam Scott and Evangeline Lilly star in the Netflix horror-comedy from the director of Tucker and Dale vs. Evil.

1BR (2019)

Have you ever looked for an apartment? How about in Los Angeles? Tinseltown is so rich in history that unless you somehow find a new build apartment building in town, you’re likely to get a place nearly 100 years old. 1BR is an anxiety-driven opus about knowing where you live and, more importantly, who your neighbors are.

After leaving behind a painful past, Sarah scores the perfect Hollywood apartment only to discover that her surprisingly welcoming neighbors may harbor a dangerous secret.

The Devil Below (2021)

This masc-Descent clone has been called devoid of character development. That might be true, but when you’re scrolling through the thousands of other titles on Netflix, this one might be worth a watch. The monster is cool and so is Will Patton.

A group of four amateur adventurers who specialize in exploring remote and forsaken places pay a visit to Shookum Hills, a town in the remote Appalachian Mountains, which was abandoned decades ago due to a mysterious coal mine fire.

Unfriended (2014)

Screen life has become an unsteady trend. It’s become the natural progression of the found footage genre. Unfriended could arguably be the mainstream movie that started it all. The jump sacres and webcam acting are top-notch. You can add to the experience by viewing this on your laptop. This film was underrated when it first came out, but now that it lives on Netflix, it might be a good time to reconnect.

A group of online chatroom friends find themselves haunted by a mysterious, supernatural force using the account of their dead friend.

There you have it. Eleven great titles you may have missed on Netflix for whatever reason. If you have seen some of these let us know. And as always, if we missed something drop us a comment.

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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