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The 15 Best Horror Films of 2020: Bri Spieldenner’s Picks

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Best Horror Films of 2020

This list showcases my top 15 best horror films of 2020. Read on for my rankings!

I don’t think I need to say at this point that this has been… a year. We had a lot of expectations for horror films that we thought we would see that are now big question marks in an even bigger question-marked future. Candyman, Halloween Kills, Spiral: From the Book of Saw and Saint Maud are just a few titles that feel like they will never be released. The studios may say they know when they will be released, but that is a lie.

Despite all this negativity, the one thing we do know is that horror will persist, even when life is already horrific. But enough with the pessimism, because we are here to celebrate the best horror films of 2020, gosh darn it. 

Some might say that not many horror films came out in 2020 due to the pandemic. I disagree! There was a slew of great movies that came out this year, many that made it extremely difficult to choose what to include in this list. If you want to see even more, check out my fellow writers’ lists as well: Kelly McNeely’s, Jon Correia’s, and James Jay Edwards’. Also Waylon Jordan has a list of the best horror novels to come out of 2020, if you’re someone who likes to read a little more than watch.

Will this list solve any problems? No. But does it give me a small amount of control in this free-falling year? I guess so.

 

My Top 15 Best Horror Films of 2020

15. I See You

I See You

I See You is a film that keeps you guessing with a very twist-driven plot, and it was one of the most fresh movies I’ve seen in a while. This film, by director Adam Randall, seemingly starts off as a haunted house movie, but transitions to something completely different. 

A police officer (Jon Tenney) deals with the disappearance of a 12-year-old boy while also dealing with his wife (Helen Hunt) cheating on him. That’s when strange things start happening in their house, making both question what’s happening in their town, and after that things really get crazy. 

This movie is a roller coaster and it does it well. It has great presence, partly due to its chilling score. This is a movie that you don’t want to go in knowing much about, so go in blind and get ready for the ride. 

Where to Watch: Amazon Prime Video

14. Anything for Jackson

Anything For Jackson

We’ve seen exorcism films, probably a million, but have we yet seen a film billed as a reverse-exorcism? This unique twist on the possession genre will likely satisfy most horror fans as it has gore, haunted houses, scary sequences and a few laughs. 

An older couple (Sheila McCarthy and Julian Richings) kidnaps a pregnant woman with the intention of putting the spirit of their dead grandson into her unborn baby using an ancient spellbook that they do not fully understand.

The grandparents at the center of this are endearing and deeply disturbed, and I love them. This film flirts with comedy, but the scary scenes go hard here and the gore is more than sufficient which is why it is one of the best horror movies of 2020. 

Where to Watch: Shudder

13. Deerskin

Deerskin

I find myself drawn to the bizarro and surreal side of horror more often than not, and this film was a perfect example of an odd little gem that exists outside of this world. Director Quentin Dupiuex (Rubber) crafts a tale about a man who at first seems boring, but becomes more and more deranged as it goes on, all due to a jacket. 

Jean Dujardin (The Wolf of Wall Street) is a man who wants nothing more than a deerskin jacket, and spends his entire savings on getting one, driving him into a downwards spiral where he takes on another persona. Adèle Haenel (Portrait of a Lady on Fire) also stars as a waitress who helps Dujardin’s character through his duplicitous acts. 

This film sucks you in just to see how far the characters are willing to take their charades, and they take them pretty far. It feels like a black comedy that takes on a horror story and the characters are both offbeat and intriguing to watch. 

Where to Watch: HBO Max

12. Rent-a-Pal

Rent-a-Pal

I love films with a retro feel, and this one takes place in the 1990s video tape dating culture. Jon Stevenson’s VHS horror movie captures the dreary and uncomfortable nature of movies such as Joker (2019). 

David (Brian Landis Folkins), a lonely bachelor, lives with his older mother whom he takes care of. He starts looking for a potential girlfriend by renting dating tapes but discovers a tape titled “Rent-A-Pal” where a man named Andy (Will Wheaton) talks to the camera, pretending to be a friend having a friendly conversation with the viewer (like Dora the Explorer) until it’s not clear if he’s acting or not. 

One part dark and disturbing, one part romantic comedy, a lot of horror. This movie has a pretty “gross” feel to it, and you most likely will feel a lot of second-hand embarrassment. The idea is different though and honestly heartwarming in some ways, but that definitely does not apply to the ending. 

Where to Watch: Hulu

11. Possessor

Possessor

You’ve probably read a few lists with Possessor on it already, but it’s just that powerful of a movie. While I don’t have as high of an opinion on it as other critics do (I prefer the director’s previous film Antiviral (2012)) this film is still an extremely violent, well thought out and fascinating sci-fi horror film. Brandon Cronenberg’s (son of David) visions continue to prove his parentage. 

Tasya Vos (Andrea Riseborough) is an assassin who carries out her job by taking control of the bodies of people close to her targets through an implant. The assassin then returns to her body by committing suicide after killing her target. This complex job then leads our main character to start doubting her own identity, growing further and further detached from her family and increasingly psychopathic. 

This is a great sci-fi concept and works out really well with some expertly shot surreal sequences during the mind transplants. It also gets really, uncomfortably violent in many scenes, especially the uncut version, making it one of the best horror films of 2020.

Where to Watch: VOD

10. His House

His House

I’ve discussed His House a few times already, but it truly is a standout movie this year in horror. Remi Weekes’ directorial debut crafts an emotional and terrifying haunted house film about the refugee experience. 

Bol (Sope Dirisu) and Rial (Wunmi Mosaku) are a couple fleeing war-torn Sudan who lost their daughter in the process. They seek asylum in England and wait in a detention facility before being granted asylum and given a dilapidated house that they are allowed to live in and restrictive rules that keep them from gaining independence. They experience haunting visions of a specter as they try to fix up their house that reveals different aspects of their personality and trauma. 

This is definitely a film every horror fan should check out. It’s terrifying when it wants to be, and heartbreaking the next. The social commentary is accurately wrapped with horror into the plot and themes of this film.  

Where to Watch: Netflix

9. Luz

Luz

This supernatural dreamy thriller is also a unique entry into the possession subgenre. Tilman Singer’s directorial debut (and also his film school thesis project) is a must watch for those who love 1980s European horror films. 

Luz (not to be mistaken for Luz: The Flower of Evil which also came out this year on Shudder) follows the story of a taxi driver (Luana Velis) and a demon that has been following her since she summoned using a perverse rendition of a prayer. The demon, in love with her, switches bodies to get close to her as she enters a police station to report an incident, and gets hypnotized. 

Telling a bold and mesmerizing story on what looks like bare bones budget and location, this haunting possession film is strange and beautiful. It has a remarkably experimental and atmospheric score that totally makes the film and a very hazy, retro look. The plot is a little confusing at first, so this is one film I would actually recommend reading about before viewing, or you could just watch it four times like me. 

Where to Watch: Shudder, Amazon Prime Video, Tubi, Crackle, Popcornflix

8. Impetigore

Impetigore

This film (based on the director’s nightmares) has it all, and is VERY intense. I’d probably consider it my most surprising hidden horror gem this year, although I know Indonesian director Joko Anwar has been releasing bangers for the last decade. 

Maya (Tara Basro) works as a tollbooth attendant in a city. One day, she is attacked by a man with a machete and soon finds out that the villagers from the village she grew up in are trying to kill her because they believe her family put a curse on the area. 

This film has, hands down, my favorite opening scene of the year. The whole film is incredibly tense, violent, and surprising. Bringing in ghosts, skinless babies and puppets made out of flesh, this is not a film to be missed by fans of intense horror. 

Where to Watch: Shudder

7. The Wolf of Snow Hollow

The Wolf of Snow Hollow

Finally! A new great werewolf movie… kind of. This was my first introduction to director, writer and star Jim Cummings and I immediately recognized that there was something special about this movie, and with his other movies after viewing them. 

A small-town police officer (Jim Cummings) gets stressed out dealing with his father (Robert Forster’s last role) who refuses to step down from his role as sheriff despite his medical problems while a string of grisly murders of women start to happen with rumors of it being a werewolf.

This film takes the tropes of the werewolf movie and reveals intricate themes that circle these movies, especially that of male sexuality being “animalistic” and that these murders tend to revolve around women. Jim Cummings’ sense of dialogue is witty and deep, and this film will keep you guessing where it’s going with an interesting twist on werewolf lore. 

Where to Watch: VOD 

6. Harpoon

Harpoon Munro Chambers

This technically came out more near the end of 2019, but I didn’t check it out until 2020 and also time is an illusion so therefore it stays on the list because it deserves the recognition. This horror comedy from director Rob Grant takes boating horror to a whole new level with a quick-witted script, some gnarly gore and a few twists to keep you interested. It’s also a single-location horror film, which is always impressive. 

Three young friends (Munro Chambers, Emily Tyra and Christopher Gray) plan on going on a day long trip on their wealthier friend’s yacht, but end up getting stranded on the boat after stalls in the middle of the ocean, while one of the friends is also suffering from a harpoon wound. 

I saw this as a fan of Munro Chambers after the retro sensation Turbo Kid (2015), and his acting and bizarre character did not disappoint. The three characters have great chemistry and the film goes from funny to disturbing from scene to scene. It makes for a great watching experience for anyone looking for a fun time as one of the best horror films of 2020.

Where to Watch: Showtime

5. Dogs Don’t Wear Pants

Dogs Don't Wear Pants Best Streaming Exclusives of 2020

Any film that mixes sex and horror well is pretty much my favorite movie (looking at you, David Cronenberg) and this film is the epitome of that. This Finnish film, directed by J.-P. Valkeapää, combines aspects of grief, horror and extreme BDSM exploration. 

A man (Pekka Strang) who has been struggling to deal with the death of his wife from drowning and trying to connect to his daughter, meets a dominatrix, Mona (Krista Kosonen), which sets him off on a path of dealing with his grief through erotic pain. 

Dogs Don’t Wear Pants is a great exploration of grief and has some truly uncomfortable scenes of BDSM and death. The acting is incredible and the production design and camera work goes hard, making this one of the best horror films of 2020.

Where to Watch: Shudder

4. VHYes

VHYes

This is a horror film and that is an undisputed fact. It may be labeled a “comedy” and may be mostly comedic, but I challenge anyone to tell me that the last 15 minutes don’t make this a great found footage horror film. Directed by Jack Henry Robbins (son of Tim Robbins and Susan Sarandon) this retro VHS film will appeal to anyone who was a fan of ‘80s television.

Filmed entirely on VHS, this bizarre film is composed from the video recorder that a young boy (Mason McNulty) receives for Christmas and accidentally tapes over his parents’ wedding video. He uses it to tape late night television shows that he isn’t allowed to watch. As such, most of the film is parodies of late night ‘80s show that are absolutely hilarious and filled with well known comedy actors (Mark Proksch, Kerri Kenney, Thomas Lennon, etc.) and a performance from the singer Weyes Blood. In the midst of this, the main character and his best friend find out about a haunted sorority house in their town, and decide to explore it, leading to the horror elements. 

There is so much to like about this film. It feels like Adult Swim Infomercials mixed with the authentic VHS feel of the horror film WNUF Halloween Special (2013). All the skits are hilarious as is the main character and his friend, and the ending presents a unique and unsettling haunting.  

Where to Watch: Hulu

3. The Invisible Man

The Invisible Man

It’s hard to believe The Invisible Man came out this year, pre-Pandemic. I barely remember those days, but what I do remember is this film rocks. Directed by Leigh Whannell (Upgrade, Insidious: Chapter 3 and writer and star of Saw) this new interpretation of The Invisible Man was both unexpectedly excellent and competently handled. 

Cecilia (Elizabeth Moss) escapes her wealthy, abusive boyfriend (Oliver Jackson-Cohen). After finding out that he committed suicide, she starts sensing a presence around her, or maybe it’s just her PTSD-induced paranoia. 

Elisabeth Moss is amazing in this film and she is easily the best part of it with her moving, realistic and uncomfortable performance. The twist this film takes on the invisible man lore is also very modern and smart, and the plot holds a few twists of its own, too. 

Where to Watch: HBO Max

2. The Berlin Bride

The Berlin Bride

Not many people have seen this movie, so allow me to introduce you to the most bizarre, dream-like and kooky film of this year. Directed by Michael Bartlett (House of Last Things) this film is inspired by the silent film era, Edgar Allen Poe’s work and E.T.A. Hoffman. 

Two odd men from Berlin, at different times, stop by a park and discover parts of a mannequin. The mannequin then casts a spell on both of them to try and reunite itself.

This absurdist masterpiece probably won’t satisfy anyone looking for a traditional horror film, but fans of David Lynch’s brand of cinema might take a fancy. Leaning heavily into ‘70s filmmaking aesthetics and unfolding like a nightmare fever dream, I cannot recommend this film enough.

Where to Watch: Amazon Prime Video, Tubi

1. Spontaneous

Spontaneous

Showing my age much? But seriously, this movie is the BOMB. This film felt so relatable to 2020, I was surprised it was filmed in 2019 (and even more surprised it was based on a book written in 2016). Directed by Brian Duffield (writer of The Babysitter) this high school rom-com/black comedy/depressing nightmare perfectly captures the feeling of impending doom of the youngest generation. 

Mara (Katherine Langford) is a student in high school when her classmates start spontaneously combusting, traumatizing her class and eventually causing the government to quarantine them to try and figure out what’s wrong. After the first explosion, one of her classmates (the adorable Charlie Plummer) confesses he has had a crush on her after coming to the revelation that they could die at any moment, making their plans and hopes obsolete. What follows is a lot of drugs and alcohol, a little bit of romance, a lot of dealing with depression and all that topped off with buckets of high school kids’ innards. 

I was totally, 100% committed to this film from the first minute. It never loses steam and so perfectly captures the emotions of modern-day America. It reels you in with what you think will be a cute high school rom-com and then destroys you when you think you’re safe. The writing is incredible and realistic, and with one of the most pertinent stories of the year this tops my list of the best horror films of 2020. 

Where to Watch: VOD 

Honorable Mentions

Swallow

The Lodge – Hulu

Spree – Hulu

The Platform – Netflix

Come to Daddy – Amazon Prime Video

Swallow – Showtime 

Synchronic – VOD Jan. 12, 2021

Murder Death Koreatown – Amazon Prime Video, Tubi

 

So as it turns out, quite a few great horror movies came out in this trash year! Now, hopefully you can start the new year right with some of the great films 2020 had to offer. Check out my other lists for even more horror to choose from, including the best horror films directed by women and the best horror films made by Netflix, Hulu, Shudder and Amazon Prime, as well as the best posters from this year

You can also check out my list on Letterboxd with my complete ranking of all the horror films I liked this year. 

Here’s to saying goodbye to this hellish year, and working towards a better future in 2021! 

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‘Longlegs’ Creepy “Part 2” Teaser Appears on Instagram

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Longlegs

Neon Films released an Insta-teaser for their horror film Longlegs today. Titled Dirty: Part 2, the clip only furthers the mystery of what we are in for when this movie is finally released on July 12.

The official logline is: FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes unexpected turns, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Directed by former actor Oz Perkins who also gave us The Blackcoat’s Daughter and Gretel & Hansel, Longlegs is already creating buzz with its moody images and cryptic hints. The film is rated R for bloody violence, and disturbing images.

Longlegs stars Nicolas Cage, Maika Monroe, and Alicia Witt.

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Melissa Barrera Says ‘Scary Movie VI’ Would Be “Fun To Do”

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Melissa Barrera might literally get the last laugh on Spyglass thanks to a possible Scary Movie sequel. Paramount and Miramax are seeing the right opportunity to bring the satirical franchise back into the fold and announced last week one might be in production as early as this fall.

The last chapter of the Scary Movie franchise was almost a decade ago and since the series lampoons thematic horror movies and pop culture trends, it would seem they have a lot of content to draw ideas from, including the recent reboot of slasher series Scream.

Barerra, who starred as final girl Samantha in those movies was abruptly fired from the latest chapter, Scream VII, for expressing what Spyglass interpreted as “antisemitism,” after the actress came out in support of Palestine on social media.

Even though the drama wasn’t a laughing matter, Barrera might get her chance to parody Sam in Scary Movie VI. That is if the opportunity arises. In an interview with Inverse, the 33-year-old actress was asked about Scary Movie VI, and her reply was intriguing.

“I always loved those movies,” the actress told Inverse. “When I saw it announced, I was like, ‘Oh, that would be fun. That would be so fun to do.’”

That “fun to do” part could be construed as a passive pitch to Paramount, but that’s open to interpretation.

Just like in her franchise, Scary Movie also has a legacy cast including Anna Faris and Regina Hall. There is no word yet on if either of those actors will appear in the reboot. With or without them, Barrera is still a fan of the comedies. “They have the iconic cast that did it, so we’ll see what goes on with that. I’m just excited to see a new one,” she told the publication.

Barrera is currently celebrating the box office success of her latest horror movie Abigail.

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Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

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Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

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