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Sick Soaps – Gruesome Works of Art No Horror Home Should Be Without

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One of the fundamental delights of attending as many conventions as regularly as I do is meeting the many talented people who frequent these haunts religiously. It never fails – at each convention I know there will be friends, vendors and familiar faces I’m going to see, and Sick Soaps is among my favorite booths to visit.

 

Image via Sick Soaps

 

I noticed this striking display a couple of years back in San Jose. I was entirely spell-bound by the depth of detail captured skillfully  inside each bar or soap. So much passion was crafted into each one. These are bars of soap we’re talking about! But they’re so amazing! Now you may (rightfully) be asking “How in the Hell can soap be in the least bit interesting?” Simply put, it can’t be unless we’re talking about Sick Soaps.

 

So hello and welcome back, dear readers. I’m Manic Exorcism and today your ol’ pal has quite the delightful treat for you. A little Halloween treat just in time for our most beloved night of the year. Today we are going to make soap metal AF!

 

image via Sick Soaps Facebook page

 

But I digress. It’s the wonderful talent behind the creations of Sick Soaps who makes washing our hands METAL! Her name is Cheynne and I had the pleasure of getting to know the mind behind the macabre.

 

iHorror: “So how did you get into making soaps?”

Cheynne: “I started making soaps some years back, after I found these tiny zombie finger puppets. I’d embed them in soap, and add some “blood” around them. I made them for friends as gifts, and I’d send them to church’s white elephant gift exchanges, just to stir things up a bit.”

 

 

 

IH: “I’ve noticed a heavy horror influence over your work.”

Cheynne: “I do predominantly horror themes because that’s what I enjoy personally. When I started, I’d never seen anything like this before! The original little zombie soaps were a hit, and I developed new techniques and my signature style from there. As gross/ disturbing as some of my soaps might seem, they always make people smile and laugh- and that’s why I continue. I love selling at conventions, because I get to watch people explore my products, and giggle nervously, smelling bloody tampons, decapitated babies, etc.”

 

Manic chuckles! How can you not love that, friends?

 

 

image via Sick Soaps

 

 

 

IH: “What inspires you?”

Cheynne: “My inspiration comes largely from a lifestyle where, really, every day is Halloween. It’s easy to be inspired when you’re surrounded by what you love. Between a year round love of horror, and a concentrated dose in October, including my passion for haunting, I’m never short on new ideas!”

 

Image via Sick Soaps

 

 

IH: “Seeing how horror has inspired your career, what are some of your favorite horror movies?”

Cheynne: “It’s really hard to choose favorites without narrowing down sub-genres. I love The Cat and the Canary (1927) because to me, it’s the earliest horror comedy. Horror Express was my gateway to 70’s horror, so it’s special to me. Evil Dead I/II, Dead Alive, and Return of the Living Dead rank pretty high. But my bedtime relaxing movies include The Mummy (Karloff), House on Haunted Hill (Price), The Bat, Dracula (Lugosi) and Wolfman.”

 

I want to thank Cheynne for taking the time to talk with me and share some insight into her dark and wonderful world. Sick Soaps truly is an art that deserves a lot of respect among the horror community. You can check her masterpieces out @sicksoaps on Instagram and/or Sick Soaps on Face Book.

 

image via Sick Soaps Facebook page

 

 

But come on! We all know we can’t live without this product. Each bar of soap is a gruesome but beautiful horror treasure. They look cool, keep you clean, and they smell wonderful! So be sure to make your orders right here at Sicksoaps.etsy.com

 

This has been Manic Exorcism. I hope all our lovelies out there are having a great Halloween!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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