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John Carpenter’s Live Retrospective Tour is Fan’s Dark Dream Come True

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This review of John Carpenter on tour was originally published June 25, 2016

Horror fans are some of the nicest people on the planet.”

The voice came out of nowhere in the packed lobby of the Majestic Theater in Dallas, TX.  I turned to look for the source of the voice and there stood a beautiful lady in her mid-50s, perfectly put together from the hair to the nails to the shoes that perfectly matched the color of her blouse.  In short, she was NOT who I was expecting to see at a concert by legendary horror master John Carpenter.

“Yes, we really can be,” I replied with a smile.

“Yes, WE can,” she emphasized back.

As this finely dressed lady continued to chat with me about her love for Texas Frightmare Weekend and all things John Carpenter, I began to take a look around the room at the assembled crowd.  We were the metaphorical melting pot.  Race, gender, and age differences meant nothing in this group of die hard fans who gathered to witness the maestro performed the music he composed for his films and for his two recently released albums, Lost Themes and Lost Themes II.

As the doors opened, the excitement released in a dull roar as people stopped at the full open bars for drinks and headed to their seats. Inside the theater, energy levels were high. None of us really knew what to expect from this concert. We’d all heard vague descriptions. I had two friends who had seen the show earlier and their descriptions set my imagination on edge. Carpenter, with a band, playing his music as images from his films were shown on a screen behind him.

The question that seemed to be on everyone’s lips was, “Do we call John Carpenter a master of horror, or has he been a rock god in disguise all this time?”

As the lights dimmed and the curtains rose, as John Carpenter and his band took the stage, as those first images of Kurt Russell as Snake from Escape from New York appeared on the screen and the music punched its way through the chest cavity of every member of that audience, the answer became clear. This man is BOTH!

For an hour and a half with only the briefest pause between pieces, Carpenter held his audience in a tight fisted grip. The man is a showman and he seemed thrilled and content to let the music and imagery speak for themselves rather than giving explanations or talking about his compositions. His comments were brief, but were expertly crafted to keep the momentum going.

“I AM KNOWN AS A DIRECTOR OF HORROR MOVIES,” he bellowed into the mic midway through the show. “I. LOVE. HORROR MOVIES. HORROR MOVIES WILL LAST…FOREVER.”

As the word forever echoed over the halls, Cody Carpenter, John’s son with Adrienne Barbeau and a brilliant musician in his own right, launched into the familiar, jarring 5/4 cadence of the title theme to Carpenter’s legendary Halloween. This movie, that I’ve literally send hundreds of times, took on new life with a power and intensity that only live music can convey. One could not help but wonder what it would be like to watch the entire film this way with the score played live by this band.

And speaking of his band, the lead guitarist, Dan Davies, is a bit of rock royalty himself. You might have heard of his dad before. His name was Dave Davies and he was in a little British band called THE KINKS! Davies talent seemed barely contained, his guitar an extension of his body, as he pushed the instrument from fear filled moan to terrified screams throughout the night. He is an undeniably brilliant successor to his father’s legacy and it’s no accident he is touring with Carpenter. The director happens to be his godfather.

Cody Carpenter, John Carpenter, and Dan Davies in Studio. Photo by Sophie Davies

The audience responded with their own shrieks and cheers as each number came to a close, equally thrilled by Carpenter’s film music and his new compositions. Standout pieces like “Wraith”, whose rhythmic raindrop melodic cadence expanded to a haunting and hellish Bolero before returning to its quiet beginnings, and “Vortex”, which engulfed the audience in swirling, primal colors of sound, prove just what a master of synthesized composition Carpenter can be. The beautiful “Purgatory” with its slow build from stark piano melodies to jazz and funk inspired rhythms with sweeping synthesized strings is one piece this writer will never forget.

It was a journey the audience was privileged to take with the composer filled with moments fans of Carpenter’s films will never forget: smoke machine fog filling the stage as the haunting overture to 1980s The Fog began and the vengeful spirits of the Elizabeth Dane slowly stalked onto the onstage screen, the frenzied rendition of music from In the Mouth of Madness as Sam Neill succumbed to the power of Sutter Caine’s words and Hobb’s End became of village of monsters, and Roddy Piper kicking ass to the music from They Live.

As the evening came to a close, Carpenter once more leaned into the microphone. He thanked us for coming to the concert, and implored us to be careful driving home from the Majestic because…Christine would be on the highway tonight. As he and the band concluded the final refrains from “Christine Attacks” from the classic killer car film, the audience rose to its feet as one to thank the man for the horror and the music once again.

I urge you readers. Take my advice and pick up a copy of Lost Themes and Lost Themes 2 today. Turn down the lights, turn on the music, and ride the wave that is the musical genius of one of horror’s finest auteurs. John Carpenter: writer, director, and yes, rock god.

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Yay or Nay: What’s Good and Bad in Horror This Week: 5/13 to 5/17

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Yay

Fall is getting not one but two sequels. It’s great news because now we know bad CGI can be consciously ignored when everything else is so great. 

Yay

A man is labeled a time traveler after allegedly entering a garden shed in his 30s and exiting the next day in his 60s. If the magic is true we can finally go back and talk to Jason Blum right after Paranormal Activity and make him promise to never to touch an Exorcist movie. 

Nay

The Coffee Table. This may be the first time we have suggested spoiling a film before actually seeing it. Wait. Maybe we spoiled Old by suggesting you don’t go see it. 

Nay

Prolific B moviemaker Roger Corman passes away at 98. He gave many actors and directors a chance in Hollywood, some would go on to win major awards. His films were outrageous, often gratuitous but always filled with heart. 

Yay

Clown Motel becomes a trilogy. Cheap Indy horror filmmakers aren’t micromanaged by rich and power studio execs so they can have fun with their material, and what better place to exercise that freedom than at a creepy desert motel in Nevada lorded over by hundreds of clowns. 

Nay

A Jason Universe is announced which promises many lateral “activations” in the Friday the 13th universe. Although the definition of said “activations” is never fully explained it leads us to believe it was a typo for “transactions” so Fortnite players scan by a Jason skin wearing a non-IP regulation hockey mask. 

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[Exclusive Photos & Trailer] Magnificent Films’ Vampire Feature ‘Drained’

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There have been some Vampires in the news this week; I’m not complaining! Sean Cronin and Peter Stylianou’s film Drained is screening at the Cannes Film Festival in France. Drained sounds like it has romantic and supernatural elements, conflict, emotional and psychological depth, and a rich setting. Go ahead and check out the press release below and our exclusive photos & teaser trailer. If you’re into vampires sprinkled with intriguing characters and a blend of genres, this may be your cup of blood!

Madalina Bellariu lon in ‘Drained’ [iHorror Exclusive]

British filmmakers’ Sean Cronin and Peter Stylianou’s London-based feature vampire film “Drained” has completed post-production and is headed to market at the prestigious Cannes Film Festival (May 14-25, 2024) in Cannes, France. 

The supernatural horror film – which was co-directed and produced by Cronin and Peter Stylianou from a screenplay by the latter — was filmed in London, England, and is a Magnificent Films/House 54/Red Guerilla Films co-production. Additional producers include Daniel Patrick Vaughan and Tony Currier. Cronin, as an actor, has portrayed villains in dozens of box office hits, as well as having directed several award-winning titles, including the upcoming feature ‘Bogieville.’ Peter Stylianou is a writer/director with two feature film credits already to his name. 

Reads the synopsis for ‘Drained,’ “In the neon-soaked streets of London, Thomas, a jobless post-graduate concept artist, falls in love with Rhea, a mysterious woman who turns out to be a vampire. As their twisted romance unfolds, Thomas’s health deteriorates, and he spirals out of control. 

BTS of Directors Peter Stylianou and Sean Cronin

Ruaridh Aldington (“Dirty Boy”) and Madalina Bellariu Ion (“Dampyr”) star as the ill-fated couple, with supporting cast which includes Craig Conway (“Dog Soldiers”), Angela Dixon (“Never Let Go”), Andrew Lyle-Pinnock, Natasha Patel (The Witcher: Blood Origin), Andrew Lee Potts (Band of Brothers), Diana Yekinni, Ayvianna Snow, Kenton Lloyd Morgan and Timothy Blore. 

Special makeup effects are by Francesca Reidie, with Ellie Campbell handling production design and cinematography by Daniel Patrick Vaughan.

Said Cronin of “Drained”, “Stylistically, the film is a mesmerizing blend of darkness and beauty. With a neon-noir aesthetic reminiscent of a night bus ride through London’s rain-soaked streets, we worked hard to capture the city’s underbelly, with a score and soundtrack that echoes the allure of ‘Drive’ with its synth 80s sound, striking the perfect balance between atmospheric and engaging.”

Ruaridh Aldington & Madaline Bellariu lon in ‘Drained’ [iHorror Exclusive]

Added Stylianou. “Beneath the surface of this vampiric romance, the film delves deeper, exploring the addictive nature of today’s society. Just as Thomas becomes ensnared in Rhea’s world, modern life presents its own metaphorical vampires, be it social media, substance abuse, or other self-destructive habits. The film paints a striking portrait of why individuals give themselves to these draining forces.

Added Madalina Bellariu Ion: “Growing up in Transylvania, Romania, I’ve always dreamt of playing a vampire. So, portraying Rhea was a perfect fit for me! The blend of fantasy horror and gritty realism in this film created an unforgettable experience that stayed with me long after filming ended. I hope the audience feels the same way after watching it. It’s a truly unique vampire film.”

[Exclusive] ‘Drained’ Teaser Trailer
‘Drained’ – Poster

About Magnificent Film & Television LTD

Magnificent Films was founded in 2007 by Sean Cronin to create imaginative, cinematic storytelling second to none. With a team of talented editors, writers, and production staff he has forged forward in building a dynamic film company for the 21st century. With working relationships with some of the best and established people in the industry yet keen to support and promote new talent both in front and behind the camera and from all areas of the community, Magnificent believes passionately that the industry should be accessible to all who have an aptitude and talent for storytelling in the medium of film and television.

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New Body Horror Film ‘The Substance’ Releases Teaser

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We haven’t seen Demi Moore in a movie since The Unbearable Weight of Massive Talent back in 2022. She has been busy though, she had a part in Ryan Murphy’s latest Feud chapter and now she is contemplating altering her body to make it more youthful in the body horror film The Substance.

Apparently, according to the official synopsis, there is a newly developed beauty regimen that “generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong?”

A still from the film (used in out header) suggests that this new technology requires a lot more than dabbing it under your eyes or administering a sticky mask. The film premiered at the 2024 Cannes Film Festival and was bought by Mubi. No US release date has been announced.

The Substance

The Substance reminds us of another FDA nightmare, The Stuff (1985) in which a commercially marketed whipped treat turns people into zombies. That film is a dark comedy about consumerism and gluttony. While Deadline reports that The Substance is humourous as well as gory, they don’t say how rooted it is in satire.

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