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James Jay Edwards’ Top Ten Fringe(ish) Horror Movies of 2019

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Hey there, it’s your friendly neighborhood fringe horror guy back with another year-end list that will either intrigue or anger you.  The choice is yours.  Because my choices for best horror-ish movies have all been made.

Remember, these are fringe horror movies.  Although this year’s list includes more “traditional” horror than it usually does, every movie here has been accused of “not being horror” by someone, most likely in the comments section of the internet.  Of course, I’ve also seen It Chapter 2 accused of not being a horror movie in these comments sections, and it literally has a shape-shifting murderous clown, so maybe I really do know as little as people say I do.

So, without further ado, here are my top ten fringe(ish) horror movies of 2019.

 

James Jay Edwards Top Ten 2019

Knives Out (2019), courtesy Lionsgate.

10. Knives Out

The body count in Knives Out may be low (it’s one), but it’s a brilliant twist-a-minute tribute to Agatha Christie that will make even the most ardent haters of The Last Jedi forgive writer/director Rian Johnson.  Basically, the patriarch of a family turns up dead, and an enigmatic private detective (played by Daniel Craig) has to sort through a mansion full of suspects.  Whodunnit indeed.

 

James Jay Edwards Top Ten 2019

Parasite (2019), courtesy Neon.

9. Parasite

Parasite is another twisty and turny one that ends as a completely different movie than it started.  This Bong Joon-ho joint is about a family of schemers who infiltrates a rich household by posing as skilled and talented workers.  But, of course, there’s more to the story than that.  Much more.

 

James Jay Edwards Top Ten 2019

Bliss (2019), courtesy Dark Sky Films.

8. Bliss

This one is more of a pure horror flick, possibly the most so on this list.  Bliss is about an artist who is under the gun as she faces the terrible combination of a creative block and a looming deadline.  She turns to drugs to spark her inspiration, but the drugs she gets are not the normal, run-of-the-mill hallucinogens.

 

James Jay Edwards Top Ten 2019

Brightburn (2019), courtesy Sony Pictures Releasing.

7. Brightburn

If you’ve ever wondered what would have happened if Superman was evil, Brightburn is for you.  It’s basically the origin story of the Man of Steel – a boy comes crashing down from the stars and is raised by a midwestern couple.  But this alien child doesn’t stand for Truth, Justice, and the American Way.  He’s a naughty little camper.

 

Joker (2019), courtesy Warner Bros.

6. Joker

Ah, yes.  Joker.  This is ostensibly an origin story for the most notorious villain in pop culture history (at least until Darth Vader came along).  It steers away from the comics and makes up a lot of the story in places, but since the Joker has always been a famously unreliable narrator (“wanna know how I got these scars?”), we’re going to allow it.  This may be the most important film of the year on a social level, and that’s in a year that includes Parasite.

 

Doctor Sleep (2019), courtesy Warner Bros.

5. Doctor Sleep

Doctor Sleep is the long overdue cinematic adaptation of Stephen King’s long overdue sequel to The Shining.  Director Mike Flanagan does the impossible by bridging the gap between the story telling of King and the visual aesthetic of the 1980 Stanley Kubrick original.  Great fun for admirers of either camp, or especially, of both.

 

The Death of Dick Long (2019), courtesy A24.

4. The Death of Dick Long

Probably the least known movie on this list.  Try to go into The Death of Dick Long with as little prior knowledge as possible.  If you need a brief synopsis, it’s about a band whose drummer, one Richard Long, winds up dead after a night of partying.  His pals spend the next day trying to cover up the cause.  This one is more Coen Brothers than traditional horror, but it’s a shocker.

 

Greta (2019), courtesy Focus Features.

3. Greta

What do you get when you cast a bona-fide Oscar caliber actress to play across from two modern scream queens?  You get Greta, that’s what.  Elle’s Isabelle Huppert has a devilishly delicious time villainizing Carrie’s Chloë Grace Moretz and It Follows’s Maika Monroe in this stalkery slasher.  Along with Ma and The Intruder, this was one of three respected-thespians-tormenting-innocents movies this year, but it’s easily the best of the bunch.

 

Us (2019), courtesy Universal Pictures.

2. Us

Jordan Peele’s Get Out established the filmmaker as one to watch in the horror world, and Us just confirms that notion.  The movie is about a family who goes takes a trip to their vacation home, and are the victims of a home invasion.  The kicker is that the invaders are carbon copies of themselves.  And it just gets weirder and more disturbing from there.  Not quite the social message that Get Out is, but it’s close.

 

Midsommar (2019), courtesy A24.

1. Midsommar

And speaking of establishing a reputation as a master of horror…Ari Aster’s Hereditary was one of last year’s best movies, and Midsommar shows the writer/director picking up right where he left off.  Midsommar is about a group of Americans that travels to Sweden for a cultural festival, and things go very wrong.  Believe it or not, the three-hour director’s cut is better than the two-and-a-half hour theatrical – and that’s coming from a guy who lives for 80 minute slashers.  Midsommar is a brutal treatise on grief and mourning, all wrapped up in a neat little condemnation of toxic relationships.  And it’s the best movie of the year.

 

For more year-end best-of lists, check here.

 

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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