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Courteney Cox as Gale Weathers with the cast of Scream VI, including Hayden Panettiere, Jasmin Savoy Brown, Jack Champion, Melissa Barrera, Jenna Ortega and Mason Gooding

Courteney Cox on Directing ‘Scream 8’: ‘I Think I Should’

Vivian Thorne
Written by Vivian Thorne

September 13, 2026

Courteney Cox has a suggestion for whoever ends up assembling Scream 8: hire her.

Cox made the pitch at the Toronto International Film Festival, where she was promoting Evil Genius, the true-crime drama she directed. Asked by Deadline at the trade’s TIFF studio whether she would take the chair on a Scream film, she did not hedge.

“I think I should, honestly. Nobody knows more about that movie than I do — I mean, and the creator, and Wes Craven, and the writers, and everybody who’s been in it — but I think it’d be great and fun and a good publicity thing. Get on it.”

Courteney Cox, speaking to Deadline at TIFF

The Resume Backs Her Up

Cox has played Gale Weathers in Scream (1996), Scream 2, Scream 3, Scream 4, the 2022 reboot, Scream VI and Scream 7. That is all seven, which makes her the only performer to appear on screen in every film the franchise has made. The one other constant is Roger L. Jackson, who has voiced Ghostface each time and has never needed to be on set to do it.

Everyone else has missed at least one. Neve Campbell sat out Scream VI over a pay dispute before returning. David Arquette’s Dewey did not survive 2022. Gale Weathers just kept turning up with a microphone, which is arguably the most Gale Weathers thing about her.

Courteney Cox as Gale Weathers in Scream VI
Courteney Cox as Gale Weathers in Scream VI. Photo by Philippe Bosse, courtesy of Paramount Pictures and Spyglass Media Group.

What ‘Scream 8’ Actually Has Right Now

A script in progress and an empty director’s chair. The Hollywood Reporter reported in March that Lilla and Nora Zuckerman, the Poker Face writers, are handling the screenplay for Spyglass Media Group and Paramount. Kevin Williamson, who wrote the 1996 original and directed Scream 7, has said he will not direct the next one, and Dread Central reports that meetings are already underway.

That vacancy is a loud one. Scream 7 opened February 27 and grossed roughly $214 million worldwide against a $45 million budget, the highest total the series has ever posted. Whoever takes the job inherits a franchise at its commercial peak, which is exactly the moment studios tend to hire cautiously.

She Has Already Been Doing the Job

This is not an actor floating a fantasy. Cox directed the feature Just Before I Go in 2014, and Evil Genius is her return to the chair. It premiered at TIFF this month with Patricia Arquette and David Harbour leading a cast that also includes Danielle Macdonald, Garrett Dillahunt, Michael Chernus, Owen Teague and Ryan Eggold.

A first-look image from Evil Genius, the true-crime drama directed by Courteney Cox
A first-look image from Evil Genius, directed by Courteney Cox.

The subject is the Erie pizza bomber case, and Dread Central describes the film as working through “deception, desperation, and the line between victim and villain.” There is a symmetry there worth sitting with. Gale Weathers built a career turning a small-town murder spree into bestselling true crime, and the woman who has played her for thirty years just spent a year directing a true-crime film about a small-town murder. The instinct is the same one. It has simply moved behind the camera.

Nothing about this is official. No studio has responded, Scream 8 has no announced director and no release date, and Cox herself framed the idea as much as a marketing angle as a job application. Still, a series that has always been about who gets to control the story could do worse than handing the camera to the one person who has been on every single set.

Ghostface, meanwhile, has been keeping busy elsewhere — see Sarah Michelle Gellar’s recent run-in with him.

Vivian Thorne

Vivian Thorne is a horror writer drawn to psychological horror, dark literature, and unsettling storytelling. She covers films, books, reviews, and opinion pieces with a sharp eye for what makes horror linger long after the final frame fades.