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“The Birds” Star Tippi Hedren Claims Alfred Hitchcock Abused and Sexually Assaulted Her During Filming

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Written by Patti Pauley

Alfred Hitchcock is undoubtedly a pioneer when it came to horror and macabre. However, according to one of his most stunning leading ladies Tippi Hedren (The Birds, Marnie) who opened up in an exclusive interview with The Daily Mail, revealed how the master of suspense who green-lit her career to super-stardom with 1963’s The Birds, had her living a real-life horror movie filled with brutal abuse and an ongoing victim of sexual assault.

Mandatory Credit: Photo by REX/Shutterstock (6736b) TIPPI HEDREN AND ALFRED HITCHCOCK 1964 TIPPI HEDREN AND ALFRED HITCHCOCK 1964

Photo by REX/Shutterstock

 

Hedren now 86, talks about her horrific experiences with the horror directer regarding his obsessive and possessive nature over her, which would lead to unwanted advances towards the young actress. Hedren touches on this subject ever so delicately in her new memoir entitled Tippi, claiming Hitchcock would corner her in her dressing room and then threaten to ruin her career as she was under contract with the director.

From Tippi: A Memoir

“I’ve never gone into detail on this, and I never will. I’ll simply say that he suddenly grabbed me and put his hands on me. It was sexual, it was perverse, and it was ugly, and I couldn’t have been more shocked and repulsed. The harder I fought him, the more aggressive he became. Then he started adding threats, as if he could do anything to me that was worse than what he was trying to do at that moment.”

 

According to the interview, after a day of filming, Hitchcock and Hedren shared a limousine back to the hotel where they were staying. As the limo reached the destination, the director then suddenly threw himself on top of her, trying to force a kiss. Repulsed by his actions, Hedren threw Hitchcock off of her and immediately exited the vehicle escaping to her hotel room.

Hedren then went on to say how her rejection towards Hitchcock turned ugly for her on set the following day while filming the infamous phone booth bird attack scene when one of the mechanical birds shattered the supposedly shatterproof glass resulting in Hedren’s face on the receiving end of glass shards.

In the climatic attic scene of The Birds where Hendren’s character of Melanie is brutally attacked by a murderous flock, Hitchcock had reassured the actress that mechanical birds were to be used in the now infamous scene. However on the day of the shoot, assistant director James H. Brown told the actress that “the mechanical birds aren’t working, so we’re going to have to use live ones.”

Hedren states “It was brutal and relentless,” as she endured five full days of ravens, pigeons, and doves being hurled at her by the bird handlers. On the final day of shooting the scene, live birds were loosely tied to Hedren’s costume while she laid on the floor. The actress says when “Action!” was called, the birds that were tied to her started pecking her while again, the wranglers threw more birds at her. Even in the midst of this abuse, the actress kept her head straight up until the closing of the day when a live bird that was tied to her shoulder, almost pecked the actresses’ eye out. That is when Hedren threw up her arms and had enough for the day.

 

 

The harshness of the environment and grueling scenes took their toll on Hedren and a doctor ordered a week of rest and a break from filming. After the smash hit of The Birds, Hedren says she was held hostage under Hitchcock’s contract for two years. On the pair’s next film Marnie, a film about a man who traps a woman into marriage and rapes her, is believed to be derived from Hitchcock’s own fantasy about Hedren. Tippi’s lavish dressing room was built adjacent to the director’s office giving him the opportunity to come and go as he pleased and when he caught her alone, Tippi reveals in her memoir how he would proclaim his love for the actress.

Once she became free of her contract, studios were hesitant to hire her in fear of antagonizing Hitchcock who repeatedly bashed her acting ability among the studio lots; all in which case pointing back to the resistance of the director’s advances to the actress.

“I’ve made it my mission ever since to see to it that while Hitchcock may have ruined my career, I never gave him the power to ruin my life.”

 

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Yay or Nay: What’s Good and Bad in Horror This Week: 5/13 to 5/17

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Yay

Fall is getting not one but two sequels. It’s great news because now we know bad CGI can be consciously ignored when everything else is so great. 

Yay

A man is labeled a time traveler after allegedly entering a garden shed in his 30s and exiting the next day in his 60s. If the magic is true we can finally go back and talk to Jason Blum right after Paranormal Activity and make him promise to never to touch an Exorcist movie. 

Nay

The Coffee Table. This may be the first time we have suggested spoiling a film before actually seeing it. Wait. Maybe we spoiled Old by suggesting you don’t go see it. 

Nay

Prolific B moviemaker Roger Corman passes away at 79. He gave many actors and directors a chance in Hollywood, some would go on to win major awards. His films were outrageous, often gratuitous but always filled with heart. 

Yay

Clown Motel becomes a trilogy. Cheap Indy horror filmmakers aren’t micromanaged by rich and power studio execs so they can have fun with their material, and what better place to exercise that freedom than at a creepy desert motel in Nevada lorded over by hundreds of clowns. 

Nay

A Jason Universe is announced which promises many lateral “activations” in the Friday the 13th universe. Although the definition of said “activations” is never fully explained it leads us to believe it was a typo for “transactions” so Fortnite players scan by a Jason skin wearing a non-IP regulation hockey mask. 

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[Exclusive Photos & Trailer] Magnificent Films’ Vampire Feature ‘Drained’

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There have been some Vampires in the news this week; I’m not complaining! Sean Cronin and Peter Stylianou’s film Drained is screening at the Cannes Film Festival in France. Drained sounds like it has romantic and supernatural elements, conflict, emotional and psychological depth, and a rich setting. Go ahead and check out the press release below and our exclusive photos & teaser trailer. If you’re into vampires sprinkled with intriguing characters and a blend of genres, this may be your cup of blood!

Madalina Bellariu lon in ‘Drained’ [iHorror Exclusive]

British filmmakers’ Sean Cronin and Peter Stylianou’s London-based feature vampire film “Drained” has completed post-production and is headed to market at the prestigious Cannes Film Festival (May 14-25, 2024) in Cannes, France. 

The supernatural horror film – which was co-directed and produced by Cronin and Peter Stylianou from a screenplay by the latter — was filmed in London, England, and is a Magnificent Films/House 54/Red Guerilla Films co-production. Additional producers include Daniel Patrick Vaughan and Tony Currier. Cronin, as an actor, has portrayed villains in dozens of box office hits, as well as having directed several award-winning titles, including the upcoming feature ‘Bogieville.’ Peter Stylianou is a writer/director with two feature film credits already to his name. 

Reads the synopsis for ‘Drained,’ “In the neon-soaked streets of London, Thomas, a jobless post-graduate concept artist, falls in love with Rhea, a mysterious woman who turns out to be a vampire. As their twisted romance unfolds, Thomas’s health deteriorates, and he spirals out of control. 

BTS of Directors Peter Stylianou and Sean Cronin

Ruaridh Aldington (“Dirty Boy”) and Madalina Bellariu Ion (“Dampyr”) star as the ill-fated couple, with supporting cast which includes Craig Conway (“Dog Soldiers”), Angela Dixon (“Never Let Go”), Andrew Lyle-Pinnock, Natasha Patel (The Witcher: Blood Origin), Andrew Lee Potts (Band of Brothers), Diana Yekinni, Ayvianna Snow, Kenton Lloyd Morgan and Timothy Blore. 

Special makeup effects are by Francesca Reidie, with Ellie Campbell handling production design and cinematography by Daniel Patrick Vaughan.

Said Cronin of “Drained”, “Stylistically, the film is a mesmerizing blend of darkness and beauty. With a neon-noir aesthetic reminiscent of a night bus ride through London’s rain-soaked streets, we worked hard to capture the city’s underbelly, with a score and soundtrack that echoes the allure of ‘Drive’ with its synth 80s sound, striking the perfect balance between atmospheric and engaging.”

Ruaridh Aldington & Madaline Bellariu lon in ‘Drained’ [iHorror Exclusive]

Added Stylianou. “Beneath the surface of this vampiric romance, the film delves deeper, exploring the addictive nature of today’s society. Just as Thomas becomes ensnared in Rhea’s world, modern life presents its own metaphorical vampires, be it social media, substance abuse, or other self-destructive habits. The film paints a striking portrait of why individuals give themselves to these draining forces.

Added Madalina Bellariu Ion: “Growing up in Transylvania, Romania, I’ve always dreamt of playing a vampire. So, portraying Rhea was a perfect fit for me! The blend of fantasy horror and gritty realism in this film created an unforgettable experience that stayed with me long after filming ended. I hope the audience feels the same way after watching it. It’s a truly unique vampire film.”

[Exclusive] ‘Drained’ Teaser Trailer
‘Drained’ – Poster

About Magnificent Film & Television LTD

Magnificent Films was founded in 2007 by Sean Cronin to create imaginative, cinematic storytelling second to none. With a team of talented editors, writers, and production staff he has forged forward in building a dynamic film company for the 21st century. With working relationships with some of the best and established people in the industry yet keen to support and promote new talent both in front and behind the camera and from all areas of the community, Magnificent believes passionately that the industry should be accessible to all who have an aptitude and talent for storytelling in the medium of film and television.

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New Body Horror Film ‘The Substance’ Releases Teaser

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We haven’t seen Demi Moore in a movie since The Unbearable Weight of Massive Talent back in 2022. She has been busy though, she had a part in Ryan Murphy’s latest Feud chapter and now she is contemplating altering her body to make it more youthful in the body horror film The Substance.

Apparently, according to the official synopsis, there is a newly developed beauty regimen that “generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong?”

A still from the film (used in out header) suggests that this new technology requires a lot more than dabbing it under your eyes or administering a sticky mask. The film premiered at the 2024 Cannes Film Festival and was bought by Mubi. No US release date has been announced.

The Substance

The Substance reminds us of another FDA nightmare, The Stuff (1985) in which a commercially marketed whipped treat turns people into zombies. That film is a dark comedy about consumerism and gluttony. While Deadline reports that The Substance is humourous as well as gory, they don’t say how rooted it is in satire.

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