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Netflix’s “Bright” is “Bad Boys” Meets “Lord of the Rings”

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You have to pay attention to the opening credits of Netflix’s newest original film, Bright.  If you’re not paying attention, you might just think this is another run of the mill buddy cop movie in Los Angeles.

The music is right; the setting is right; even the graffiti is right…no, wait it isn’t.  Yeah, that graffiti is definitely not what you usually see in an urban cop movie.  Oh the sentiments are right, but some of the words will catch you off guard.

“In the beginning God created all races equal, but Elves are more equal…”

“Orcs fight for you…who fights for us?”

“The Dark Lord will return!”

“Curse the police!”

See what I mean?  Bright is anything but your average buddy cop movie set in the urban sprawl of Los Angeles.

Written by Max Landis (American Ultra, Victor Frankenstein) and directed by David Ayer (Suicide Squad), Bright imagines a world where orcs, fairies, elves, and a whole host of other fantasy beings live alongside humans.

Will Smith plays Daryl Ward, a Los Angeles street cop whose partner, NIck Jakoby played by Joel Edgerton, is the first ever orc cop in the world.

 

Orcs hate the humans for never letting them forget it.  And the Elves, well, they watch it all from the lofty social heights of their exclusive clubs and neighborhoods.

Ayer and the cast tackle the problems of racism head-on under the guise of these fantastic beings.  It’s a lesson that is all too timely and is portrayed honestly without the heavy handedness of other films.

Ward and Jakoby have a shaky partnership at the best of times.

So when a routine call turns bloody and they discover an Elf woman with a powerful magic wand that everyone wants to get their hands on, they have to find a way to really work together for the first time.

The setup, in any other hands, might prove disastrous but Landis supplied a solid script and Ayer knocked it out of the park.  Every piece fits together beautifully.

Smith is no stranger to these kinds of roles and he settles into it with the confidence of a man who knows what he’s doing while Edgerton brings an endearing honesty to Jakoby.

Their partnership is awkward, uncomfortable, and instantly likable from the first moments we see them together.  I found myself genuinely invested in the partnership and rooting for them to succeed.

The supporting cast is equally skilled.  Noomi Rapace (The Girl with the Dragon Tattoo) is fiendishly tenacious as the Elf Leilah, who wants to use the wand to raise the Dark Lord of the world’s Elvish lore to wipe out their enemies while Edgar Ramirez is a quiet storm of intention as Kandomere, an Elf who works with the FBI’s Magical Task Force to keep dangerous weapons like this wand out of the hands of her and others like her.

Lucy Fry (Vampire Academy) is equal parts vulnerable and powerful as Tikka, the Elf who holds the wand and is hunted by both while under the protection of Ward and Jakoby.

 

Leilah (Noomi Rapace), Kandomere (Edgar Ramirez), Tikka (Lucy Fry) from Netflix’s Bright

After moving to Los Angeles and seeing that this was hardly the case, he decides to hand out his own form of justice, running an Orcish organization that’s one part mafia and one part street gang.

Say what you want about David Ayer and his films, but the man knows how to bring together a soundtrack that rocks and Bright is no exception.

With tracks by Snoop Dogg, Bastille, Grey, Ty Dolla Sign, Sam Hunt, and so many more perfectly pitched to enhance the emotion, tension and humor of each scene.  David Sardy’s score complements the songs to create a cohesive and unique sound for the film.

With a $90 million budget, Bright is currently the most expensive film that Netflix has produced and it shows.

Special effects, make-up effects, set designers and dressers, and all the rest brought their A-game to this film so that every creature, every place, and every situation felt absolutely real.

Bright is available today exclusively on Netflix, and fans will be happy to know that it will also be the first Netflix original with a planned sequel which was signed for before the release of this first film!

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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