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Amazon’s ‘Carnival Row’ is a Timely Dark Fairy Tale

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Carnival Row

Amazon’s Carnival Row debuted yesterday, and the genre-blending series is already becoming one of the streaming platform’s most talked about titles.

Set in an alternate Victorian-era world, the series is built on the idea that humans, upon discovering the world of the Fae went to war over control of it. The battle lasted for years until The Republic of the Burgue withdrew from the conflict leaving the Fae world to the opposing force known as The Pact.

As the series begins, it has been seven years since the Burgue withdrew, and the Fae are now actively hunted by the Pact causing many of them to flee their world, selling themselves into indentured servitude and worse to escape death.

One Fae in particular, Vignette Stonemoss (Cara Delevingne), has been helping her fellow Fae escape, never fully understanding what the world outside was like until she has to flee the Fae world herself.

She soon finds herself entangled with her former lover Rycroft “Philo” Philostrate (Orlando Bloom) as a dark creature begins roaming the streets of the city brutally killing human and Fae alike.

Showrunners Rene Echevarria (MediumStar Trek: The Next Generation) and Travis Beacham (Pacific Rim) created the show’s meticulous mythology, expanding the world that Beacham had created in a film script which was never realized.

Much of it was filmed in the Czech Republic which proves an ideal backdrop for this particular tale. It is dirty and gritty, and surprisingly real considering its fantastic elements.

Delevingne and Bloom give excellent performances as Vignette and Philo leading an equally brilliant cast including Jared Harris (The Quiet Ones), Indira Varma (Game of Thrones), Alice Krige (Sleepwalkers), David Gyasi (Annihilation), and Tamzin Merchant (Salem) to name just a few.

The character relationships with each other and the world around them are incredibly complicated, and in many ways, reflect a sad reality we’ve seen play out time and again in our own world history.

Carnival Row Agreus

The make-up effects department on Carnival Row is second to none as you can see with David Gyasi as the wealthy Puck, Agreus. (Photo via IMDb)

The Fae face constant bigotry and prejudice by humans who in turn exploit everything about them.

At one point, for example, Vignette finds herself face-to-face with a poster advertising an exhibit of Fae artwork collected from Tirnanoc, the Fae World, but the exhibit comes with a prohibition: NO UNACCOMPANIED FAE ALLOWED.

A once wealthy brother and sister chafe when a Puck, a satyr-like Fae, buys the elegant home next to theirs, but they aren’t above using his resources to try to turn their own fate around.

The police constantly harass Fae street vendors asking for “permits” which they’re more than happy to sell to the unfortunate Fae on the spot, lining their own pockets, and nothing is so alluring and taboo for certain society gentlemen than traveling down to the Row to sample the delights at a Fae brothel.

The fact that we see these kinds of behaviors daily in our own society with lines drawn in the sand over race, sexual orientation, gender identity, and religion in 2019 makes Carnival Row feel relevant and timely.

Overall, Carnival Row is masterfully made though it does suffer from the growing pains we’ve come to expect from a brand new series in its first season caught between character development, exposition and a complex plot.

It stumbles from time to time, but it never falls, and anyone who has ever followed a series like Game of Thrones, for example, will have no problems with the complexity of the story.

Moreover, it has one of the most terrifying monsters we’ve seen in quite some time on any screen thanks to an incredible visual effects department.

And then there’s the glorious score created by Nathan Barr. No stranger to the genre space, Barr has composed for Cabin FeverHemlock GroveThe House with a Clock in its Walls, and The Domestics to name just a few.

He has that incredible ability to immerse the audience in a fantastic space, creating music and soundscapes that amplify what we’re seeing onscreen, and his work in Carnival Row is no exception. His score for the series, colored with Celtic instrumentation, sets the perfect tone for a dark fairy tale.

All eight, hour-long episodes of the first season of Carnival Row are available on Amazon Prime. It’s a series worth binging. In fact, it almost demands it.

Check out the trailer below, and let us know if you’re watching in the comments!

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Melissa Barrera Says Her ‘Scream’ Contract Never Included a Third Movie

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The Scream franchise has done a major overhaul to its original script for Scream VII after its two main leads departed production. Jenna Ortega who played Tara Carpenter left because she was overly booked and blessed while her co-star Melissa Barrera was fired after making political comments on social media.

But Barrera isn’t regretting any of it. In fact, she is happy where the character arc left off. She played Samantha Carpenter, the latest focus of the Ghostface killer.

Barrera did an exclusive interview with Collider. During their talk, the 33-year-old says she fulfilled her contract and her character Samantha’s arc finished at a good spot, even though it was meant to be a trilogy.

“I feel like the ending of [ Scream VI ] was a very good ending, and so I don’t feel like ‘Ugh, I got left in the middle.’ No, I think people, the fans, were wanting a third movie to continue that arc, and apparently, the plan was a trilogy, even though I was only contracted for two movies.

So, I did my two movies, and I’m fine. I’m good with that. I got two – that’s more than most people get. When you’re on a TV show, and it gets canceled, you can’t harp on things, you gotta move on.

That’s the nature of this industry too, I get excited for the next job, I get excited for the next skin I get to put on. It’s exciting to create a different character. So yeah, I feel good. I did what I set out to do. It was always meant to be two movies for me, ’cause that was my contract, and so everything is perfect.”

The entire production of the original seventh entry has moved on from the Carpenter’s storyline. With a new director and new script, production will resume, including the return of Neve Campbell and Courtney Cox.

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Read Reviews For ‘Abigail’ The Latest From Radio Silence

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The review embargo has lifted for the vampire horror movie Abigail and the reviews are abundantly positive. 

Matt BettinelliOlpin and Tyler Gillett of Radio Silence are getting early praise for their latest horror movie which opens on April 19. Unless you’re Barbie or Oppenheimer the name of the game in Hollywood is about what kind of box office numbers you pull on opening weekend and how much they drop thereafter. Abigail could be this year’s sleeper. 

Radio Silence is no stranger to opening big, their Scream reboot and sequel packed fans into seats on their respective opening dates. The duo are currently working on another reboot, that of 1981’s Kurt Russel cult favorite Escape From New York

Abigail

Now that ticket sales for GodzillaxKong, Dune 2, and Ghostbusters: Frozen Empire have gathered patina, Abigail could knock A24’s current powerhouse Civil War from the top spot, especially if ticket buyers base their purchase off reviews. If it is successful, it could be temporary, since Ryan Gosling and Emma Stone’s action comedy The Fall Guy opens on May 3, just two weeks later.

We have gathered pull quotes (good & bad) from some genre critics on Rotten Tomatoes (score for Abigail currently sits at 85%) to give you an indicator of how they are skewing ahead of its release this weekend. First, the good:

“Abigail is a fun, bloody ride. It also has the most lovable ensemble of morally grey characters this year. The film introduces a new favorite monster into the genre and gives her room to take the biggest swings possible. I lived!” — Sharai Bohannon: A Nightmare On Fierce Street Podcast

“The standout is Weir, commanding the screen despite her small stature and effortlessly switching from apparently helpless, terrified child to savage predator with a mordant sense of humor.” — Michael Gingold: Rue Morgue Magazine

“‘Abigail’ sets the bar as the most fun you can have with a horror movie of the year. In other words, “Abigail” is horror on pointe.” — BJ Colangelo: Slashfilm

“In what may become one of the greatest vampire movies of all time, Abigail provides an extremely bloody, fun, humorous & fresh take on the subgenre.” — Jordan Williams: Screen Rant

“Radio Silence have proven themselves as one of the most exciting, and crucially, fun, voices in the horror genre and Abigail takes this to the next level.” — Rosie Fletcher: Den of Geek

Now, the not-so-good:

“It’s not badly made, just uninspired and played out.” — Simon Abrams: RogerEbert.com

A ‘Ready or Not’ redux running on half the steam, this one-location misfire has plenty of parts that work but its namesake isn’t among them.” –Alison Foreman: indieWire

Let us know if you are planning to see Abigail. If or when you do, give us your hot take in the comments.

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Ernie Hudson To Star In ‘Oswald: Down The Rabbit Hole’

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Ernie Hudson

This is some exciting news! Ernie Hudson (Ghostbusters 1984, The Crow 1994) is set to star in the upcoming horror film titled Oswald: Down The Rabbit Hole. Hudson is set to play the character Oswald Jebediah Coleman who is a brilliant animator that is locked away in a terrifying magical prison. No release date has been announced yet. Check out the announcement trailer and more about the film below.

ANNOUNCEMENT TRAILER FOR OSWALD: DOWN THE RABBIT HOLE

The film follows the story of “Art and some of his closest friends as they help track down his long-lost family lineage. When they find and explore his Great-Grandpa Oswald’s abandoned home, they encounter a magical TV that teleports them to a place lost in time, shrouded by dark Hollywood Magic. The group finds that they are not alone when they discover Oswald’s come-to-life cartoon Rabbit, a dark entity that decides their souls are it’s for the taking. Art and his friends must work together to escape their magical prison before the Rabbit gets to them first.”

First Look Image at Oswald: Down the Rabbit Hole

Ernie Hudson stated that “I am excited to work with everyone on this production. It’s an incredibly creative and smart project.”

Director Stewart also added “I had a very specific vision for Oswald’s character and knew I wanted Ernie for this role from the start, as I’ve always admired iconic cinematic legacy. Ernie is going to bring Oswald’s unique and vengeful spirit to life in the best way possible.”

First Look Image at Oswald: Down the Rabbit Hole

Lilton Stewart III and Lucinda Bruce are teaming up to write and direct the film. It stars actors Ernie Hudson (Ghostbusters 1984, The Crow 1994), Topher Hall (Single Drunk Female 2022), and Yasha Rayzberg (A Rainbow in the Dark 2021). Mana Animation Studio is helping produce the animation, Tandem Post House for post-production, and VFX supervisor Bob Homami is also helping. The budget for the film currently sits at $4.5M.

Official Teaser Poster for Oswald: Down the Rabbit Hole

This is one of many classic childhood stories that are being turned into horror films. This list includes Winnie the Pooh: Blood and Honey 2, Bambi: The Reckoning, Mickey’s Mouse Trap, The Return of Steamboat Willie, and many more. Are you more interested in the film now that Ernie Hudson is attached to star in it? Let us know in the comments below.

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