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12 Horror Remakes that Are Actually Pretty Great

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Remakes

You may have noticed that there seems to be a lot of news – recently – about new horror remakes.

Studios keep going back to remakes and adaptations of popular titles because – generally speaking – they’re perceived as a safe bet. Why gamble money on a creative new idea when recycled favorites (like Andy Muschietti’s IT – which is definitely a film adaptation of a book/TV miniseries and not a remake and I will die on this hill) are so successful, right?

There are production companies that challenge this idea to great success (such as A24 with films like Hereditary, Paramount with A Quiet Place, and Blumhouse with Get Out and Split), but it seems that there’s a Hollywood formula that most want to stick to.

It’s a belief that new ideas don’t have audience draw, but taking advantage of nostalgic properties is reliable – just ask Star Wars and Jurassic Park.

As horror fans, we see this often. We’re bombarded with sequels to build a franchise, showered with film adaptations of popular books or TV shows, and offered remakes that no one asked for. It’s tiring, and can be quite frustrating.

Horror films have been receiving the remake treatment for a long time, and while most are… not great, there are some remakes that don’t fill us with rage.

So, because sometimes we need that optimistic reflection on how a remake isn’t always a bad thing, let’s take a look at 12 of our favorites (chronologically ordered).

The Thing (1982)

via IMDb

Original Film: The Thing From Another World (1951)
Cast: Kurt Russell, Wilford Brimley, Keith David, T.K. Carter, David Clennon, Richard Dysart
Director: John Carpenter (Halloween)
Why You Should Watch: Yes, The Thing is actually a remake. It’s become such a classic in its own right that it’s completely outshone the original (which is actually a pretty solid movie on its own). The plot follows the same basic concept, however, John Carpenter’s The Thing dramatically raises the stakes, punches in some horrific practical effects, and adds a palpable paranoia-fueled tension, resulting in a truly iconic film.
Where to watch it: Starz, Amazon, iTunes, PSN, Google Play

The Fly (1986)

via IMDb

Original Film: The Fly (1958)
Cast: Jeff Goldblum, Geena Davis, John Getz, Joy Boushel, Leslie Carlson
Director: David Cronenberg (Scanners)
Why You Should Watch: This Oscar Award winning film (best makeup, naturally) brings us the gift of young, suave Jeff Goldblum and some truly stomach-churning practical effects. The Fly maintains the plot of the original film (starring Vincent Price) but has its own distinct, grossly dramatic flair.
Where to watch it: Google Play, iTunes, Vudu

The Blob (1988)

via IMDb

Original Film: The Blob (1958)
Cast: Kevin Dillon, Shawnee Smith, Donovan Leitch Jr., Jeffrey DeMunn, Candy Clark
Director: Chuck Russell (Nightmare on Elm Street 3: Dream Warriors)
Why You Should Watch: There are 35 crew members listed on the makeup effects team for The Blob, and they all worked hard. Tony Gardner – who designed the special makeup and animatronic effects – went on to design makeup effects for 154 different shows and films including Darkman, Army of Darkness, Hocus Pocus, and more recently, has been working as the head of the makeup department on Sacha Baron Cohen’s new series Who Is America?.

The Blob is a delicious campy 80s classic. It’s a healthy remake of a 50s standard with guts, thrills, and chills to spare. We love it.
Where to watch it: Amazon, Google Play, Vudu, PSN

Thir13en Ghosts (2001)

via Warner Bros

Original Film: 13 Ghosts (1960)
Cast: Tony Shalhoub, Embeth Davidtz, Matthew Lillard, Shannon Elizabeth, F. Murray Abraham, Rah Digga
Director: Steve Beck (Ghost Ship)
Why You Should Watch: While Thir13en Ghosts suffers from some typical new-millennium horror film cheese, it’s a damn fun remake of a 1960s gimmick flick. In the original film, audience members were provided with glasses they would need to “see” the ghosts on screen – the remake saves the hassle and gives the high-tech eye gear to the film’s characters which wisely adds a dramatic flair to scenes where the glasses aren’t worn. The ghosts themselves are fascinating characters; the visual and character design of each figure in the “Black Zodiac” are damn awesome. It’s unfortunate that we don’t hear too much of their stories in the film, but the DVD special features offer a featurette dedicated to each specter (totally worth it).

Additionally, Thir13en Ghosts showcases a stunning house design (rivaled only by 1999’s The Haunting) and Matthew Lillard being his best self as a jittery, jaded psychic. It’s also worth noting that Thir13en Ghosts was the first film from a major American studio with three Arab-American leads, so, kudos.
Where to watch it: Amazon, Google Play, PSN, Vudu, iTunes

The Ring (2002)

via IMDb

Original Film: Ringu (1998)
Cast: Naomi Watts, Martin Henderson, Brian Cox, David Dorfman, Amber Tamblyn, Daveigh Chase
Director: Gore Verbinski (A Cure for Wellness)
Why You Should Watch: American remakes of foreign horror films are just plain frustrating. They lazily piggyback on the success of a foreign film and it’s largely unnecessary. Usually, they’re either a carbon copy with English translation and bankable actors, or they change elements that are tied to the cultural influences and history of the original film. They pull the teeth out of the story’s bite (though it’s worth noting the rare example of Let Me In which does both of these things, yet is still a sincerely well-made movie). More often than not, there’s a lot that gets lost in translation.

That said, let’s talk about Gore Verbinski’s The Ring. It’s packed full of creeping, haunting visuals with a strong performance from Naomi Watts, whose progression through the film is wonderfully acted. The Ring is perhaps a bit more blunt than the Japanese original, but when it comes to American foreign horror film remakes, The Ring is one of the strongest of the bunch.
Where to watch it: Amazon, Google Play, Vudu, iTunes

The Texas Chainsaw Massacre (2003)

via IMDb

Original Film: The Texas Chain Saw Massacre (1974)
Cast: Jessica Biel, Jonathan Tucker, Eric Balfour, R. Lee Ermey, Andrew Bryniarski, Mike Vogel, Erica Leerhsen
Director: Marcus Nispel (Friday the 13th)
Why You Should Watch: While the 2003 remake of The Texas Chain Saw Massacre could never outdo the original, it’s still a damn solid movie. It maintains the sweaty, sun-scorched flair that we know and love, but takes a very dark turn thanks to an insanely intense performance from the late R. Lee Ermey as Sheriff Hoyt. And let’s not forget that gruesome opening scene! Yikes.

The Texas Chainsaw Massacre brought the hulking threat of Leatherface to a younger, modern audience. It shows an appreciation and respect for the original film in a way that the subsequent re-sequels definitely lack.
Where to watch it: Amazon, Google Play, iTunes, PSN

Dawn of the Dead (2004)

via Universal

Original Film: Dawn of the Dead (1978)
Cast: Sarah Polley, Ving Rhames, Jake Weber, Mekhi Phifer, Ty Burrell, Michael Kelly, Lindy Booth, Kevin Zegers
Director: Zack Snyder (Watchmen)
Why You Should Watch: George A. Romero’s Dawn of the Dead is a poignant commentary on consumerism. Zack Snyder’s Dawn of the Dead keeps that shopping mall setting (with a modern interpretation of how civilians would adapt when locked in a shopping centre) but embraces the satisfaction of a celebrity lookalike shooting range, a murder bus convoy, and a montage set to Richard Cheese’s spectacular cover of Down With the Sickness.

Dawn of the Dead also focuses on wonderfully vicious action and complex characters (CJ’s redemption arc is fantastic). The film is a great example of how a remake can set out to do its own thing while still honoring the original.
Where to watch it: Amazon, Google Play, Vudu, PSN, iTunes

The Hills Have Eyes (2006)

via IMDb

Original Film: The Hills Have Eyes (1977)
Cast: Ted Levine, Kathleen Quinlan, Dan Byrd, Emilie de Ravin, Aaron Stanford, Vinessa Shaw, Michael Bailey Smith, Robert Joy
Director: Alexandre Aja (High Tension)
Why You Should Watch: Alexandre Aja comes from the school of New French Extremity. That methodology of incorporating bestial violence with a severe approach to sexuality is in fine form in his remake of Wes Craven’s cannibal hillbilly horror, The Hills Have Eyes.

The greasy mutants possess a horrible strength – as the stranded family are pushed to traumatic extremes, their retaliation is pure panicked fury (with character development for Doug that is akin to 1971/2011’s Straw Dogs). The remake is brazen, punchy, and fast-paced with an intensity that matches its scorched-earth aesthetic.
Where to watch it: Amazon, Google Play, Vudu, PSN, iTunes

The Crazies (2010)

via IMDb

Original Film: The Crazies (1973)
Cast: Timothy Olyphant, Radha Mitchell, Joe Anderson, Danielle Panabaker
Director: Breck Eisner (Sahara)
Why You Should Watch: The Crazies is a tense cautionary tale of unrestrained, vicious madness and the mass panic of mysterious, contagious disease. Led by the wonderful Timothy Olyphant (Scream 2, Deadwood) and Radha Mitchell (Silent Hill), the film pulses with the fear of what – or who – could be just around the corner (hint: no matter who it is, it’s not good). The Crazies keeps the themes of distrust and nefarious military intervention that was so strong in George A. Romero’s original film, but shifts the focus away from identifiable personnel to masked monsters that operate with practiced, unburdened precision. It’s terrifying.

The Crazies pits neighbor against neighbor and builds emotional connections through their personal histories. While the original film’s infected weren’t all violent and didn’t all bare visible identifiers (the source of the horror is the military’s necessary response), the remake goes full-throttle on the idea that the threat could be anywhere, and – infected or not – those chance encounters have extreme consequences.
Where to watch it: Starz, iTunes

Don’t Be Afraid of the Dark (2010)

via IMDb

Original Film: Don’t Be Afraid of the Dark (1973)
Cast: Bailee Madison, Katie Holmes, Guy Pearce, Jack Thompson
Director: Troy Nixey
Why You Should Watch: Produced and co-written by Guillermo Del Toro, Don’t Be Afraid of the Dark is enriched by his signature dark fairytale whimsy. It’s a haunting, beautiful tale that places the spotlight on a young girl, Sally (Bailee Madison) who is struggling to adjust to her new environment when she is sent to live with her distant father and his new girlfriend, Kim (Katie Holmes). A reluctant bond is formed between Sally and Kim as the unprepared new maternal figure fights to protect the young girl from vicious creatures that are determined to turn her info one of their own.

It’s a stunning film that plays on the beauty of childlike wonder and fantasy – and the horror of how those enchanting discoveries can take such a terrible turn.
Where to watch it: Amazon, Google Play, Vudu, PSN, iTunes

Fright Night (2011)

via Dreamworks

Original Film: Fright Night (1985)
Cast: Anton Yelchin, Toni Collette, Colin Farrell, David Tennant, Imogen Poots, Christopher Mintz-Plasse, Dave Franco
Director: Craig Gillespie (Lars and the Real Girl)
Why You Should Watch: Casual reminder that this cast is amazing.

Colin Farrell’s Jerry is a sensual, creepy modern predator – every move he makes has an animal magnetism that reads as though he’s imagining what your blood would taste like. Toni Collette is back as everyone’s favorite genre mom and she is amazing as always. And of course, the late Anton Yelchin is perfect as a relatable teen that’s trying his hardest to protect those he cares about (while being way out of his depth). He’s got this adolescent awkwardness about him, but he’s so charming and likable that you just want to see him win.

The original Fright Night leans hard on the “modern day Dracula” storyline and characters which was pretty damn evident upon my first viewing. The remake was a bit softer on this direct translation. It sizzles with a vibrant, lively energy that keeps the remake surprisingly fresh.
Where to watch it: Google Play, Vudu, PSN

Evil Dead (2013)

via Evil Dead LLC

Original Film: The Evil Dead (1981)
Cast: Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci, Elizabeth Blackmore
Director: Fede Alvarez (Don’t Breathe)
Why You Should Watch: Fede Alvarez had quite the daunting task ahead of him when it was announced that there were plans to remake The Evil Dead. Generally speaking, fans get a little prickly about remakes – especially for beloved cult classics – but Alvarez knocked it out of the park.

He ignored the campy humor of Evil Dead II and Army of Darkness and opted to go for a brutal bloodbath with a female protagonist, Mia (Jane Levy). Mia’s panic is initially shrugged off by her friends as a symptom of withdrawal, painting her as a possibly unreliable narrator (and distancing Mia’s story from Ash). As the situation gruesomely escalates and the blood literally rains down, Evil Dead firmly finds itself as its own distinct, respectful, homage-paying monster.
Where to watch it: Amazon, Google Play, Vudu, PSN, iTunes

What remakes did we miss? As always, share your favorites in the comments!

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Lists

Radio Silence Movies Ranked

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Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

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Perhaps the Scariest, Most Disturbing Series of The Year

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You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

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The Original ‘Beetlejuice’ Sequel Had an Interesting Location

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beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

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