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Welcome to Slasher Camp!

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Summer has arrived and you know what that means!  The beaches and lakes are open, the smell of hot dogs are in the air, campsites are filling up with excited campers, and the slasher killers are in business again!  It’s been a long, cold winter, but they’re back to knock off campers and counselors alike as they trespass into their territories with hopes of late night keggers, lighting up some weed, and having outdoor sex.  Little do they know who waits for them in the shadows!

As an up and coming slasher killer you may wonder why this category of killers are so successful; well that’s because they have attended Slasher Camp, of course!  Slasher Camp is an eight week course held over the inactive winter months to teach young potential horror killers, like yourself, how to hone their techniques and skills just right for that perfect summer camp massacre experience.  It only happens once a year, so you better be ready, and you better make it a good one.

A simple blunder, such as thinking running is your best option instead of a steady stalk can result in tripping over tree roots.  This mistake would give your prey ample opportunity to hop in their car and motor out of there.  Wait, their car was working?!  You didn’t disconnect their car battery or slash their tires?!  *sighs* This is why you need to attend this camp my young and adorably ignorant slasher killer in training.

That reminds me, this brings up another important point; pace yourself!  Your prey will surely run from you, and many of them are not built for running long distances.  Endurance is not the style of your typical frat boy or college stoner, and certainly not for the bimbo variety.  Most will also inevitably trip, fall, and sprain their ankle or hurt their leg.  It sounds cliché, but in this case slow and steady wins the race.  However, for those of you who have longer legs you can stalk at a relatively stronger pace and easily be able to stay in the vicinity of your victim until they tire themselves out and attempt to take shelter behind a tree.  A tree!  *laughs* How cute.

Alright, so let’s get into some of the specifics you will learn at Slasher Camp.  Lesson one; you are in total control of setting the mood for the camper’s… experience.  You first play with your victims, viewing them from a distance and observing how many there are.  This also gives you time to see what their personalities are like because that can determine who is killed first.  At the same time it gives them that uneasy feeling of being watched which is a very important mood setter.  You never want your prey to feel safe.  Tap on windows, or leave “gifts” such as deceased animals around their campsite.  These things really get the hair to standing up on the back of their neck.  The point is, you want to slowly build the tension.  No need to rush things, savor the moment, you only have this one opportunity each year so make it special.

Lesson two, before you reveal yourself to your victims you want to make them split up if they don’t eventually do this, which many do on their own anyway.  Don’t ask me why.  One way to do this is to cut the power to their cabin.  Only one or two of them will go outside to investigate.  This allows you to pick them off outside of the cabin and hide their bodies for staging at a later time; we’ll get to staging later.

Another great way to get them to wander off from the group is to make “strange noises” for them to investigate.  They don’t investigate in groups of more than two or three, and even then that’s rare.  Usually one strays from the group and gives you the chance to separate him or her from the group for good.  Just make sure you’re quiet about it.  No need to alert the others with their screams.  Their silent and sudden absence will draw more out to investigate one by one, like cattle to the slaughter.

https://gph.is/2awCRmF

Lesson three, always make an entrance.  Not every boogeyman’s entrance has to be the same, that’s the beauty of being a slasher killer!  Mix it up from those who have paved the way before you.  When you finally do make your big reveal you want it to be dramatic and memorable.  Remember, you only get one chance to make a first impression.  This is where our “door kicking” class comes into play.  Some of you will find this easier than others.  However, there are other ways to go if you are more brain than brawn.  Lurking up behind them until they turn and smack right into you is also a classic choice, but you have to be stealthy and light on your feet.  No stepping on twigs or crunchy leafs.

Speaking of first impressions, lesson four, at Slasher Camp you want to put a lot of thought into how you want to look because this won’t change… ever.  Unless you have a burlap sack over your head and then find an upgrade that is much scarier, then by all means change.  Please change.  This will be your signature style and it will be built into the lore people tell about you for years and years, you don’t want to be known as ‘sack head’ generation after generation.

A hockey mask, a dirty red and green sweater, a William Shatner mask painted white, these are all iconic images associated with one killer and one killer only.  You can pay homage to a look but DO NOT COPY!  This is a cardinal rule for slasher killers.  What will your look be?  Discover your own look in our ‘Mask Making and Wardrobe’ class!

As a disclaimer: the black leather jacket wearing, power drill carrying songbird was not a student of mine, I take no responsibility for him.

This brings us to lesson five; just as important as your look is your weapon.  Some slasher killers who have come before you have chosen just one weapon, others have their go-to weapon of choice and then improvise when they get the itch to be creative.  Other times some just use their hands and brute force.

If you’re going to be a one weapon type of slasher killer you need to determine that early on.  It’s a risky choice to make because if you get separated from that implement you are left powerless.  However, if you are able to keep it by your side it will be a device that is as feared as you are.  It will become part of you and build upon your identity, and that is something that can make a slasher killer a true success.

Lesson six; once you have successfully chosen a weapon, or weapons depending on your style, our “Kill Zone” class will be of great use to you!  Practice on our analog dummies we call “Vic” or “Vicky,” short for “victim” of course… we’re so clever here at Slasher Camp.  I can’t stress the importance of this class enough.  I can’t tell you how many times we’ve had graduates go out into the field and miss their prey because they thought instinct was all they needed.  Like anything in life you need to practice.

Now we get to lesson seven at Slasher Camp, staging.  Not all slasher killers decide to do this, but those who do are truly masters of their craft, and they do it very well.  What you want to do is collect your prey and gather them in a spot your last victim standing, usually a female, will not easily find them.  You can then take a little time to pose them; maybe at a dinner table or around an old cabin in various positions.

Then, when the final girl is the only one left you herd her there, stalking slowly behind her and making sure she is heading in the right direction.  All the while your motives are unbeknownst to her, and when she finally does find that location she thinks it’s a safe haven.  However, when she goes inside and tries to turn on the lights or feels around for a weapon she then discovers the deceased bodies of her friends!  It should give her the final scare to weaken her will to survive and you move in for the kill.

Unfortunately this may backfire, and this is how it’s been for even our most successful graduates with titles in our Body Count Hall of Fame.  Sometimes the feeling of defeat turns into empowerment, especially if this girl is a virgin.  We don’t know why, but it’s possible she will escape your grasp, and some of you may even be killed by her.

If you are a true slasher killer she cannot kill you.  Every good killer knows when they’ve been defeated and has to play possum.  This is something we will also cover extensively in our last class before we release you out into the world.

While there are more lessons and training you will pick up along the way, this is the basic outline of what you will experience in eight weeks here at Slasher Camp.  You will learn from your instructors, including guest speakers who are veterans of the field, as well as from your fellow classmates.  Not everyone is going to survive and may find alternate paths, such as being a henchman or the less remembered but equally important sidekick killer… ok, well, maybe not “equally important” but beloved in their own way.  Regardless, Slasher Camp is your once in a lifetime experience to find out if you have the right stuff to become one of the classic killers that will be feared around the campfire or at sleepovers for years to come.

If you’re a camper looking to survive Slasher Camp, read this article here about our program at Camp Slasher, an eight week program just for campers!!

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Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

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Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

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Perhaps the Scariest, Most Disturbing Series of The Year

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You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

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The Original ‘Beetlejuice’ Sequel Had an Interesting Location

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beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

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