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Review: Time To Kill (2014)

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Time to Kill

Time to Kill is a 2014 film about Sara (played by Ellie Church), who finds out she has 24 hours to live, and uses that time to (what else?) kill some people.

This is the kind of movie that kind of hurts my head to review. It’s bad, but that’s kind of the point. It never pretends to be anything that it’s not, but rather embraces its B-movie status wholeheartedly. It  clearly has “grindhouse” in mind, and seems to aspire to be cut from the same cloth as movies like Ginger and others you’d see trailers for in the 42nd Street Forever series – only in more modern DIY form (though there is plenty of added graininess and whatnot).

If you don’t like tasteless no budget exploitation, then look elsewhere, but if you do, let’s just say the film opens with a woman giving herself a coathanger abortion and spends the majority of its runtime in a strip club. In between, Sara kills several people, severs a woman’s (Debbie Rochon, no less) hand, stuffing money into the bloody stump (the first time I’ve seen that), and rescues a young woman from an apparent rapist before taking her to a barn to get naked and screw around in a wash tub.

The score is effective at times, even if it sounds like a guy sitting in a room playing a cheap keyboard behind the camera. In fact, I’d say that adds to the charm if anything.

At one point it achieves something remotely like a Jim Van Bebber film. Other parts are reminiscent of low-budget music videos.

Other highlights include: a machete vagina stabbing; Sara puking in the toilet while a fat guy is taking a bath in a shower cap and eating a sandwich while talking about her abortion; and the aforementioned keyboard striking a frantic note as a woman delivers the line, “Summer sausage!”

A buzz of some sort would be encouraged when putting this one in (I was admittedly a few beers in when I started), but as long as you know the type of film you’re taking on going in, it should be pretty easy to settle in for the ride.

The runtime comes in at a cool hour and ten minutes, so the content doesn’t overstay its welcome as with many of these types of movies.

There’s plenty of comic relief throughout, including an intermission sequence involving “hot wiener sandwiches” (with “all breast meat”) and a woman rubbing condiments all over herself as well as a bit bout masturbating in public theaters. Like I said, the film isn’t trying to be anything that it’s not.

Time to Kill is directed by Brian Williams, and comes from Mostly Harmless Pictures. It’s being sold by Toetag Pictures, which is known for the August Underground series.

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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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Part Concert, Part Horror Movie M. Night Shyamalan’s ‘Trap’ Trailer Released

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In true Shyamalan form, he sets his film Trap inside a social situation where we aren’t sure what is going on. Hopefully, there is a twist at the end. Furthermore, we hope it’s better than the one in his divisive 2021 movie Old.

The trailer seemingly gives away a lot, but, as in the past, you can’t rely on his trailers because they are often red herrings and you are being gaslit to think a certain way. For instance, his movie Knock at the Cabin was completely different than what the trailer implied and if you hadn’t read the book on which the film is based it was still like going in blind.

The plot for Trap is being dubbed an “experience” and we aren’t quite sure what that means. If we were to guess based on the trailer, it’s a concert movie wrapped around a horror mystery. There are original songs performed by Saleka, who plays Lady Raven, a kind of Taylor Swift/Lady Gaga hybrid. They have even set up a Lady Raven website to further the illusion.

Here is the fresh trailer:

According to the synopsis, a father takes his daughter to one of Lady Raven’s jam-packed concerts, “where they realize they’re at the center of a dark and sinister event.”

Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

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Woman Brings Corpse Into Bank To Sign Loan Papers

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Warning: This is a disturbing story.

You have to be pretty desperate for money to do what this Brazilian woman did at the bank to get a loan. She wheeled in a fresh corpse to endorse the contract and she seemingly thought the bank employees wouldn’t notice. They did.

This weird and disturbing story comes via ScreenGeek an entertainment digital publication. They write that a woman identified as Erika de Souza Vieira Nunes pushed a man she identified as her uncle into the bank pleading with him to sign loan papers for $3,400. 

If you’re squeamish or easily triggered, be aware that the video captured of the situation is disturbing. 

Latin America’s largest commercial network, TV Globo, reported on the crime, and according to ScreenGeek this is what Nunes says in Portuguese during the attempted transaction. 

“Uncle, are you paying attention? You must sign [the loan contract]. If you don’t sign, there’s no way, as I cannot sign on your behalf!”

She then adds: “Sign so you can spare me further headaches; I can’t bear it any longer.” 

At first we thought this might be a hoax, but according to Brazilian police, the uncle, 68-year-old Paulo Roberto Braga had passed away earlier that day.

 “She attempted to feign his signature for the loan. He entered the bank already deceased,” Police Chief Fábio Luiz said in an interview with TV Globo. “Our priority is to continue investigating to identify other family members and gather more information regarding this loan.”

If convicted Nunes could be facing jail time on charges of fraud, embezzlement, and desecration of a corpse.

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