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Movie Review: The Lazarus Effect (2015)

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As you’ve probably noticed, movie trailers have become way too long over the years. Rather than getting us excited about movies, they all too often tend to spoil the best parts, making you feel as if you’ve already seen the movie before you’ve even seen it. You’re likely to feel that way as you watch The Lazarus Effect, though the problem isn’t so much that the trailer spoiled all the good bits.

Rather, the problem is that the movie genuinely has so little to offer that it feels like a trailer for the next generic horror movie, stretched out to an impossibly dull 80-minutes. If you’ve seen the trailer for this one, you have literally seen the entire movie.

Directed by David Gelb, The Lazarus Effect centers on a team of medical students perfecting a serum that, in so many words, brings the dead back to life. Not long after successfully re-animating a dog, a freak accident in the lab kills one of the team members, and in a last ditch effort they attempt to bring her back from the dead – with predictably disastrous results.

The most curious thing about The Lazarus Effect is that it features a pretty solid cast of young talents, with fan-favorite actors like Olivia Wilde, Mark Duplass, Donald Glover and American Horror Story‘s Evan Peters comprising the research team. What’s curious about that is the way the movie proceeds to thoroughly waste them, making it feel like one of those movies they all took part in long before they had anything else going on in their careers – by all accounts, however, it wasn’t shot all that long ago.

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Olivia Wilde is the star of the show here as Zoe, the chick who dies and then becomes all possessed and what not. The script gives Wilde very little to do before her character’s death and even less to do after, which is a shame because she’s an extremely likeable and talented actress. Same goes for all the other actors in this thing, who are all given almost nothing to work with. The characters, such as Peters’ stoner, are as underwritten as they come, to the point that their names have already escaped my brain.

Though the way it wastes the talents of its stars is one of the biggest bummers of The Lazarus Effect, it’s quite frankly the least of the movie’s problems. The script rushes so quickly to the point where Zoe is brought back from the dead that it’s impossible to really care about anything that’s going on, and once she re-animates, the movie reveals itself to be just another paranormal possession movie – albeit in a slightly different wrapper.

As the trailers completely gave away, Zoe becomes a black-eyed supernatural being once the Lazarus serum is injected into her, and that’s the point when the once dull movie becomes offensively bad, especially to anyone who has ever seen a horror movie. Jump scares and ‘creepy’ flickering lights dominate the latter portions of The Lazarus Effect, as Zoe walks around like a demonic robot and dispatches her friends in the most uninspired and yawn-inducing ways possible.

The Lazarus Effect

It feels weird to even be relaying so much of the plot here in my review, but again I must remind you that I’m really not spoiling anything. The trailer for The Lazarus Effect promises a movie wherein a girl dies, comes back to life and then does some creepy things, and the movie delivers on that promise by literally doing nothing more than what you saw in those two-minutes. It’s as one-note as horror movies come – the sort of movie that perpetuates the idea that horror movies are made for idiots.

What’s most offensive is how little The Lazarus Effect has to say, being that it’s dealing with such a fascinating and deep topic of discussion. Rather than delving into that rich idea of human re-animation and bothering to say anything about the topic, the movie takes the lazy approach of being nothing more than another movie about a supernaturally-empowered chick who kills people. It also doesn’t bother to make much sense, even within its own world, but I digress.

By the time the end credits roll across the screen, you’re likely to be rolling your eyes, as The Lazarus Effect takes a turn for the intelligence-insulting and laugh-inducing in the final act. It’s yet another one of those horror movies that is cut from a mold and caters to the lowest common denominator, and you’ll probably leave the theater wondering why the hell you even bother going to see new horror movies on the big screen.

The Lazarus Effect is little more than a reminder that the best horror movies are now found on VOD. So save your money and stay home. The popcorn is free, the rentals are cheap and, best of all, you can rest assured that nobody will come sit down on your couch and ruin the experience with their incessant chatter. Does that sound good to you? Because it sounds great to me.

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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