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The 20 ‘Maddest’ Characters in Mad Max: Part 2

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The second part of our top 20 of the ‘maddest’ characters in Mad Max continues. Check out the list of the most memorable people from the world of Mad Max rated from insane to straight up mad.

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10. The People Eater (John Howard) The man with pierced nipples and a nose that was eaten away long ago from the gas fumes from his home in Gastown has an affinity toward the dramatic and sadistic. His favorite thing on any menu besides gasoline is built right into his name.

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9. Master Blaster (Angelo Rossitto and Paul Larsson) –  These two guys are the actual heart of Bartertown in “Beyond Thunderdome.” Without them there would be no power or gas. Master (the brains) formulated a way to extract fuel from the methane in pig shit and holds his power over Bartertown and Aunty Entity every chance he gets. Blaster (the muscle) makes sure that nobody can hurt his little friend. Blaster is a hulking 9 foot simpleton that is able to snap necks like chicken bones. The only thing Master Blaster cares about is power and the ability to show that power through idealism or violence and sometimes a careful meshing of the two.

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8. Toecutter (Hugh Keays-Byrne) – The leader of the band of motorcycle riding marauders. Toecutter and his gang go around the outback wreaking havoc on anything that gets in their way. Murder, rape and methodical mind games are his style. When the cops disrespect his gang he goes out on a personal mission to hurt and bury everyone responsible. Him taking the lives of Max’s friend Jim Goose and running down his wife and child is solely responsible for the birth of Mad Max. Oh also, ladies might want to hide their ice cream he has an affinity to licking other peoples cones.

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7. The War Boys – These guys are the bones of citadel in “Fury Road.” Not only is their entire half-life built around “doing war,” but they have long given up drinking water (Aqua Cola) to instead concentrate on blood bag donors to help elongate their short lives and focus on dying with a mouth full of silver paint to enter Valhalla all shiny and chrome.

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6. The Doof Warrior (Iota) The mad bastard that we have come to love and know as the guitar guy in “Fury Road” is the stuff of genius. Obviously since war drums by themselves wouldn’t make enough noise to match the cavalcade of roaring engines that make up the pursuit party, we have The Doof Warrior cranking out shredding riffs on a guitar that double’s as a weapon and has a damned flame thrower built in.

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5. Imperator Furiosa (Charlize Theron) – Furiosa, much like Max lost everything she cared about. She was taken from her home at a young age and has spent her life imprisoned but managed to take a position as an “Imperator,” leading the Warboys and earning her place behind the wheel of the coveted War Rig. She worked her way up the chain of command for years to gain enough leverage to take Immortan Joe’s only prized possession. Crossing Immortan Joe makes her one of the maddest in the wasteland.

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4. Lord Humungus (Kjell Nilsson) The damned “Ayatollah of rock ‘n’ rolla!” This guy one-upped Jason Voorhees’s hockey mask by instead wearing a badass hockey mask made of steel. This giant leads the marauders in “The Road Warrior” and is the source of all Max’s problems. When this guy makes deals look for the devil in the details, especially when offered a deal where you can “just walk away.” He believes in bondage, torture and anything on the same line as brutality. His deformities from the fallout are to blame for his choice to wear a mask. Take a peek inside the box where The Humungus keeps his .44 magnum for some quick glances at what his history might have been like.

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3. Immortan Joe (Hugh Keays-Byrne) – The boss man and deity in Citadel. This guy is a warlord who runs things in the area. Bulletfarm and Gastown take orders from this him. When not making war he forcibly makes babies with mothers taken from their homes who are forced to carry his future warlords. At the snap of his finger he can have a war party assembled and ready for whatever things he sees fit.With the War Boys, Bulletfarm and Gastown behind him he is a dangerous presence in the wasteland.

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2. Mad Max Rockatansky (Mel Gibson/Tom Hardy) In a world that was falling apart, Max also managed to lose his wife, his baby, his friend and his sanity. There is no destination or hope for Max. He travels the wasteland strictly for survival. He encounters people and reluctantly helps them to one day hopefully reach some sort of catharsis. Max may be the reluctant “hero” but with nothing to lose and nothing to gain he is one of the maddest in the world. Oh, and he eats dog food and two headed geckos.

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1. George Miller – Director, Miller created an entire world with its very own mythos. Each of his characters is stuff only people who dream with fevers could invent. His balls-to-the-walls filmmaking, usage of stunts, and uncompromising vision has made him one of the most influential filmmakers over the past three decades. His long shooting schedules, methodical attention to detail in action and unique vision of an post apocalyptic hell make him the maddest bastard of them all!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

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The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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