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What George A. Romero Meant to Horror and His Fans

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Just when you thought 2017 couldn’t suck any harder than it already does, we lose another massive legend. We lost George A. Romero today and I still haven’t processed it. I knew I wanted to write something for him but I found myself just staring at the screen wondering where to even start.

It’s easy for people to say, “He just made movies, why are you so upset?” We’re upset because he didn’t JUST make movies and his movies weren’t JUST movies. This man created a genre, a movement.  He made a community and a fandom. Whether you loved his movies or hated them, his legacy is undeniable.

The reason you think of flesh-eater when you think of a zombie is because of George A. Romero. Before him, zombies were the product of voodoo and magic. A stolen soul used to be a slave. He single handedly changed an entire genre. He’s the reason we have The Walking Dead. He’s the reason for any zombie walk you’ve ever been to and any zombie video games you’ve played. The father of flesh-eaters. He made the brain-eating, shambling, decomposing hordes that we know of as zombies today.

George A. Romero

Georgeo A. Romero and Stephen King. Image courtesy of Pinterest

I first encountered his work when I saw his collaboration with Stephen King for Creepshow as a child. It was one of the reasons I love horror so much. It was scary, goofy and gorgeous. It still gives me the creeps to this day. I then fell in love with Night of the Living Dead. I had old copies, new copies, copies with Elvira commentary. The combination of that movie and Resident Evil made me the zombie fanatic I am today. And the reason Resident Evil has flesh eaters is due to his creation of the entire genre!

I had the pleasure of meeting him almost a decade ago. I traveled to Texas just for the five minute interaction I would get with him. He was one of the nicest people you’d ever meet and always made time for fans. He never hurried them; never made them feel like just a number in line and always had some conversation and a smile when it was their turn to step up.

Many of you have read from us that he was making a new movie called Road of the Dead and the artwork was released less than two weeks ago. The fate of the movie is unknown at this time but I can only hope that Matt Birman continues what he and Romero started and was excited about. Part of me thinks that he knew this would be his last movie and wanted to go out doing what he loved and what he was known for.

George A. Romero

George with his daughter on the set of “Day of the Dead” with Howard Sherman. Image courtesy of OldPicturesArchive

When it was announced that he was making a new movie, so many people (myself included) were so damn excited. It has been so long since Survival of the Dead. Along with the excitement came the people who complained about how “his movies sucked” or how “he should have quit after Day of the Dead.” But if George A. Romero gave the naysayers anything, it was the opportunity to bitch about something at least, and it never bothered him in the slightest.

George A. Romero

Image by Anne Cusack /Los Angeles Times

His movies were important. Night of the Living Dead had a black lead in 1968! I remember listening to him talk about it. He said that he had the finally finished reel of film being transported in the trunk of his car when Dr. Martin Luther King Jr. was shot.

He used Dawn of the Dead to mirror the rise of commercialism in society and used The Crazies to talk about the Vietnam War and the distrust of the military during that time. Diary of the Dead zoned in on our dependency on technology. The list goes on…

I can’t even begin to describe how much this man will be missed by so many. He brought us together: to think, to dress up, to debate, to make friends, to be scared and to laugh. He touched so many lives not just as a filmmaker but as a person. From all of us here at iHorror and around the world…we’re going to miss you George A. Romero, so much.

George A. Romero

Image courtesy of Cinema Blend

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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