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Netflix Canada: Top 10 Horror Films You Need to Watch

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Hello Canada! If you’re looking for a breakdown of the best horror films on Netflix, here’s a good place to start. Our guide to Netflix North will be updated regularly to include new additions and tried-and-true favorites. For now, here are my top 10 picks (in no particular order) to tide you over between those dreaded made-for-tv Holiday specials.

The Wailing (2016)


From the writer/director of The Chaser, this suspenseful South Korean horror thriller received widespread critical acclaim. There’s a genuine mystery at the heart of it.  You are constantly wary of what to expect, who to suspect, and where to go next. The film is a simmering stew that gradually turns up the heat to a dramatic and unforgettable finish.

10 Cloverfield Lane (2016)


This companion piece to Cloverfield is kind of like a bottle episode – but with a much higher budget. The small cast is confined to a single location where they must confront and resolve an increasingly suspicious problem. John Goodman’s performance as Howard is unnerving, captivating, and hauntingly reserved for a man who is best known for his more dynamic roles.

Green Room (2015)


Jeremy Saulnier gave us a knockout follow-up to Blue Ruin (2013). This film does not pull any punches, throwing our protagonists (lead by the late Anton Yelchin) into a hopeless and unyielding fight for survival. The peaceful opening act sets the stage for a mighty storm that perfectly matches the throbbing energy of the punk-rock theme

Bone Tomahawk (2015)


S. Craig Zahler’s Bone Tomahawk is probably one of the best Western/Horror crossovers you will ever see. The cast  – Kurt Russell, Patrick Wilson, Matthew Fox, and Richard Jenkins (who absolutely steals the show) – are absolutely superb. It honors all the Western tropes, however, it goes full-throttle with the brutality. The climax is more savagely vicious than any Western and – to be honest – it ups the ante for Horror violence as well.

The Witch (2015)


For his directorial debut, Writer/Director Robert Eggers made a serious commitment to creating an authentic period piece. Most of the dialogue is taken directly from journals and court records from the era and extensive research was applied to find the right sound for the musical score (using Old World instruments like the Swedish Nychelharpa). The set was built using historically accurate materials and the film was mostly shot with natural lighting– the indoor scenes were done by candlelight. Eggers’ hard work has paid off. The film was a success with critics and horror fans alike. The Witch also caught the attention of the media when it was endorsed by The Satanic Temple.

The Taking of Deborah Logan (2014)


A faux-documentary is a fantastic way to work with the “found footage” sub-genre of horror. It provides a legitimate explanation for the presence of the camera and leads us to the action in a more believable way. The topic of this faux-documentary – Deborah Logan’s battle with Alzheimer’s disease – is carefully and respectfully presented. However, it becomes quite clear that Deborah’s experiences are not normal.

Hush (2016)


In Hush, a deaf writer must put her creative thinking to the test when trying out out-smart and outlast an unknown assailant. Her at-home-attacker (John Gallagher Jr. – who you can also find in 10 Cloverfield Lane) presents a continuous threat. He has come fully prepared; his story is never explained, but his intentions are clear. The concept is similar to Wait Until Dark, but with the modern struggle of disconnected WiFi to thwart a Skype connection.

You’re Next (2011)


Adam Wingard and Simon Barrett (V/H/S, V/H/S/2, The Guest, Blair Witch) are a formidable team. They’ve got a pretty solid track record of creating a film that thrills, chills and kills. You’re Next puts a fun twist on the home invasion horror and throws a badass wrench in the mix. With the rise of the New Scream Queen, we’re seeing a lot of strong, kickass women in horror films. In You’re Next, Erin (Sharni Vinson) is certainly one of the most capable victims you’ll ever see.

It Follows (2014)


It Follows
is one of those films that is kind of timeless. There are no fancy new cars, no iPhones, nothing to really suggest any modern digital connectivity. Our young heroes are truly all alone with no help in sight. Their anxious terror comes from the knowledge that the threat is unrelenting and inescapable. The atmosphere is supported by the fantastic synth soundtrack and decaying locations. It’s bleak, it’s creepy, and it’s a great watch.

The Invitation (2015)


The art of the slow burn is coming up more and more in recent horror films. Actually, most of the films listed here are “slow burners”. Director Karyn Kusama uses a lighter touch than her previous films (Jennifer’s Body, Girlfight, Æon Flux) to really stress the tension of this Psychological Thriller. Due to the slower pace, it may require some patience, but there is a great payoff.

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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